#31
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Just to save you some time as you test locations, the middle of a room is almost always the worst place in the room to record.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#32
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Yep, it will be the back 3rd. Trail and error testing has commenced. Finding the best spot for the mic on an acoustic guitar is hard enough. But i was wondering if there is a way to identify a zone within the back 3rd that will be more likely to produce a better (neutral) sound. Every room is different but i suppose i will just start in the center of the back 3rd and go from there. Keeping the mic/guitar setup consistent to detect or not a more favorable sweet spot. Like should i play into the back wall diffusers or play out into the room?
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#33
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Quote:
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#34
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Quote:
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#35
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Great tip for me to get started!
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