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X10 Individual Saddles Effect on Acoustic Tone
We're stuck in speculation mode until the new Emeralds are out in the wild. Hope they get there soon.
I have an X7 with pickup, but play only acoustically. To put it mildly, I'm intrigued with the new X10. The individually adjusted saddles on the X10 would also benefit the acoustic player if they don't degrade acoustic tone. They seem to naturally center the string in the saddle and allow individual string action adjustment. Does anyone have experience with other acoustic guitars using these GraphTech saddles? |
#2
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I have no experience with the saddles. I’m taking it on faith that the acoustic properties will be on par with the X7 and X20.
I wanted a guitar that would work both as my acoustic, and occasional electric blues guitar. So I ordered the level 2 pickup system. As I am an old guy, and have a smaller frame, so I ordered a 24.6” scale. Allister says that will join at the 13th fret, and keep the bridge in the same spot. Now I just have to wait and see if it meets my expectations. 6 weeks out for the build. Hopefully others will get the standard models soon, and we will have some acoustic only sound bytes.
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#3
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#4
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I have thought about the new X10, but already have a GX which has a thin Strat-like neck and smooth no heel neck join, theoretically similar to the new X10. It's set up (perfectly) with 12 gauge strings. The 12s play great, but not like an electric. Lighter strings buzz and degrade the acoustic sound. For electric style playing, I have a Strat with 10s and I am wondering how you would have one guitar that does both? At the same time? Or do you need to set it up for one function or the other? Then you are back to having 2 guitars and might as well have ones that are dedicated to the specific task? Anyway, interesting idea on the "all purpose guitar" and I look forward to some real world reviews. FYI to anyone looking at the Hexpander "MIDI" option, according to Graph Tech support, it doesn't really do MIDI and you can't just plug it into a midi audio interface. You need to hook it up to a Roland GR55 pitch to midi converter which costs around $700. They didn't give me any other alternatives. |
#5
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[QUOTE=Strumalot;5753911]Pine, I am curioius how you would set up strings to accommodate both acoustic and electric style playing.
Anyway, interesting idea on the "all purpose guitar" and I look forward to some real world reviews. I think of the Taylor T5 when I see that question, it seems to do both pretty well. This X10 does look interesting...
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Dave McPherson Sable, Blackbird Lucky 13, Rainsong OM1000. Various wood, mostly Taylors |
#6
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I had an X7 as my main player for a year or so. I found the frets a bit tight when capo’d up. The X20 I was worried would bother my shoulders with it’s larger body size. So I’m hoping the X10 with a shorter scale will be “just right”. I really liked the body shape of the X7, so I’m expecting to feel the same about the X10.
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
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__________________
Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
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I will still be curious about the how the duel use works out and the strings you are using. |
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__________________
Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#10
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See you at dawn. |
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#12
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LJ, I think most/all who have had the misfortune to have heard me play would consider my guitar more akin to “weapon” than “musical instrument”. Mr. Strum was just insensitive to have pointed it out. (Slinking off to play my Yamaha Silent guitar)
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Blackbird Lucky 13; Emerald X7 V3; Yamaha LS-TA; Yamaha SLG200; PRS Zach Myers; PRS SE Hollowbody Piezo |
#13
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Lies! I started a "4 week" wait several weeks ago and am in agony with the anticipation.
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#14
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I don't know if the individual saddle elements will affect tone either way. I suspect not, and I trust that Emerald did their homework first before choosing this option. Many don't remember but LR Baggs still sells a six-element pickup system called the LB6. There are six individual elements cast into a single saddle. DTAR also has / had something similar. Takamine has used a two-piece saddle system for many years for better intonation.
I've never heard anyone complaining about the acoustic tone suffering. I do know of a classical player who sliced the saddle and wired each element separately into a six pre-amps to use certain strings as MIDI triggers for experimental pieces. https://www.lrbaggs.com/pickups/lb6-...-guitar-pickup Swapping out saddles many be problematic - there likely are six separate wires underneath. I'm one who doesn't generally do that, unless a repair is needed (worn saddle grooves). But I understand the allure of "tweaking" the sound. |
#15
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I would think not -- you can see in the emerald X10 photos that the Graphtech saddle takes up a lot more space in the bridge than a bone saddle. |