#181
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I was incredibly lucky to find that rug -- I was in Tuesday Morning one day and just stumbled across it. If someone had a custom made rugbmade for an ebony grand, it couldn't be any more perfect than this one -- I couldn't believe it. Even the legs match up perfectly. I don't play electric (my son does) but I DO love to roll the Fender amp outside and blast the intro to Hotel California with my Takamine 12-string. I am CERTAIN that it can be heard for at least a mile (I live on acreage). |
#182
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#183
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I think it would do well with the Jam 200. I've put my Compact on it in "table top" mode. The only issue I had is that the low notes on my guitar caused the table legs to vibrate from time to time but my table is really old (and it's been in a lake!) I totally agree on the T1! Matt |
#184
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While on the subject of mounting.
I bought my T1 used and it came with this bracket. Thought I'd share the photos and info. |
#185
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Opps. Ignore double post.
Last edited by Tico; 11-28-2017 at 03:57 PM. |
#186
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Responding to post #164 from Reasley:
He mentioned of the sound improvement from moving up to better mics. A huge +1 on that! I also have the Bose L1 Model 2, B2 Bass, T1 mixer. I also have a pair of Shure SM 58s ... actually their newer upgraded model, Beta 58A with slightly-extended high frequency response, narrower pickup pattern, and higher sensitivity. It all sounds excellent! But when gigging at safer upscale locations (no belligerent drunks stumbling around) I bring some much better mics. The improvement in sound is astounding, not just to me, but judging by feedback, to the audience and staff. Sennheiser MD-441 https://www.sweetwater.com/store/det...SABEgK7DPD_BwE AKG 414 XLS https://www.sweetwater.com/store/detail/C414XLS DPA d:fine 4088-B mini condenser headset https://www.sweetwater.com/store/detail/4088B DPA d:vote VO 4099G guitar pick up mini condenser https://www.sweetwater.com/store/detail/VO4099G Why mention all this besides bragging? My point is, the sound quality from the Bose is so detailed and transparent that it justifies buying the best mics you can afford. This is not true for every PA. An audio chain is only as strong as its weakest link. With most PAs much of what you pay for in a $1,000 mic is wasted, but not with my Bose. Similarly, much of the $3,200 I paid for my Bose PA is wasted if I use SM-58s. Of course cost is a real factor for nearly everyone, and there are many better mics that I can't afford. Next, to echo what Reasley's daughter said, the Bose not only makes me sound my best, it also gives me confidence. Knowing all the musical nuances are easily heard by everyone in the room helps me not push it. Rather, when performing I can just relax. I feel comfortable, much as I do when playing alone in my living room. And no, I'm not a shill for Bose, AKG, DPA, or Sennheiser ... or for Sweetwater. Last edited by Tico; 11-29-2017 at 02:51 PM. |
#187
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Perhaps I should simply heed; "Don't fix it if it ain't broke?" ..But that T1 does offer some nice mixer features like digital effects and compression correct?
__________________
Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Collings OM1C Gibson EC Ebony Songwriter Custom Emerald X20 Emerald X30 Martin OMC-28 Custom Fender CS '63 Telecaster Custom Fender 61 Wildwood 10 Strat Collings I-35LCV Collings I-30LC www.heartsoulaz.com |
#188
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Hey Jake, so in the heat of battle do you think you'll be fine having the T1 where it is as pictured (which is decidedly un-funky, looks like it belongs there) or do you think you'll wind up going another route, or too soon to tell?
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#189
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I don't understand putting the T1 mixer on the speaker column, which is behind the performer.
When I play I need the mixer in front of me. I also despise Bose's mic stand holder ... my only complaint against the Bose PA. |
#190
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I typically get dialed in and then never touch the mixer again the rest of the event, so while its nice to have next to me or in front, I don't find that to be a deal breaker. Most every mixer I've ever used was behind me or beside on stage.
__________________
Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Collings OM1C Gibson EC Ebony Songwriter Custom Emerald X20 Emerald X30 Martin OMC-28 Custom Fender CS '63 Telecaster Custom Fender 61 Wildwood 10 Strat Collings I-35LCV Collings I-30LC www.heartsoulaz.com |
#191
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Makes sense. In my case I change settings for some songs. Also, though rarely needed, I feel less anxious when I have the mixer right in front of me in case of feedback. I guess I feel about it kinda like a fire extinguisher. Last edited by Tico; 11-28-2017 at 05:39 PM. |
#192
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for my solo Wine Bar gig. This is an upscale sorta place. Playing "background music"... But the staff absolutely loved the sound. They liked the volume throughout the room. No one got blasted with volume. (One server told me it was the best guitar he'd heard). Went on to say, most guitars sound treble"y" and annoyingly bright (he's a musician too). Nice compliment... but I owe it to my Gibson J-45 True Vintage. Also during first set they normally ask performers to stay on the lower volume side... But Half way through they told me to turn it up! But this had more to do with the Bose L1 Compact than the T1......... OK... That didn't answer the question. Honestly, the T1 is icing on the cake..... I rely on my TCH Play Acoustic unit. I use it for guitar, vocal effects, harmonies and looper. I got the T1 mainly to try it out ... Plus use it for when I play with my Duo partner. Allowing him to plug Mandolin and mic... Or just mic and use his amp for the mando. Which will be a nice clean setup. But we can easily use a standard mixer too in place of the T1. So at the moment the T1 is not necessary for solo gigs. Although it does have much better sound shaping, EQ, Para EQ, compression, ToneMatch settings, reverb etc... Than the Play Acoustic pedal. But the PA is so simple to set up! |
#193
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That said, I certainly don't need to switch scenes after every song. So I'm hoping the bracket Jake showed would do the job. |
#194
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I would prefer to use as shown. |
#195
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But as others.. I try to minimize my "gear" and cables and stage clutter. So yes the bracket helps to clean things up. However, In general, to me a mixer is set and forget... (except when necessary for tweaking) or plugging in a guest etc. Now with my limited experience with the T1... I don't believe it was intended as a Live switching "effects" unit .. What I mean by that, it doesn't have foot switch or even an easy to use presets (scenes). I picture using the scenes using for different situations or venues... Like tonight I'm outside on the patio or next time I am in the large room. Here's a scene ready for my Duo. I have to say, My Play acoustic with the Switch 6 covers a lot of ground.... LASTLY, don't get me wrong..... The T1 is amazing on it's own. The effects and EQ and ToneMatch, scenes... Lot to love. It really is "icing" on the already tasty cake. |