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Old 12-10-2012, 07:14 PM
Cproomando Cproomando is offline
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Default How to do Harmonics on Silent Night?

I love Tonedr and his rendition of Silent Night that he posted on the forum. The only thing I can't seem to get is the harmonics at the end of the song. I am new to this and not sure how to do this. Here is the video;

http://www.youtube.com/watch?v=sAoxG3EqUyA

Can someone post a video how this is done? It starts at bar 60 to the end. It is the last 5 bars of the song. I would be grateful to our forum members if someone could show me as I would love to learn how to play this for the holidays.

Thanks!
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Old 12-10-2012, 07:18 PM
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ljguitar ljguitar is offline
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Originally Posted by Cproomando View Post
I love Tonedr and his rendition of Silent Night that he posted on the forum. The only thing I can't seem to get is the harmonics at the end of the song. I am new to this and not sure how to do this. Here is the video;

http://www.youtube.com/watch?v=sAoxG3EqUyA

Can someone post a video how this is done? It starts at bar 60 to the end. It is the last 5 bars of the song. I would be grateful to our forum members if someone could show me as I would love to learn how to play this for the holidays.

Thanks!
Hi Cproomando...

Dale (tonedr) is a regular here in the forum. Why not private message him and ask?

He's a really nice guy...

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Old 12-10-2012, 10:24 PM
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rick-slo rick-slo is offline
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Originally Posted by ljguitar View Post
Hi Cproomando...

Dale (tonedr) is a regular here in the forum. Why not private message him and ask?

He's a really nice guy...
That is an excellent arrangement by Dale.
Here is a good video of how to do harmonics.
http://www.youtube.com/watch?gl=AU&h...&v=Iz_g68NvGeU
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Old 12-12-2012, 05:02 AM
JonPR JonPR is offline
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In case the OP hasn't asked tonedr (or even if he has), here's those ending chords.

All frets are counted from the nut, not the capo, which is on fret 2; so "2" means an open string, and <14> is the octave harmonic of that string.

The other harmonics are artificial ones, octaves of fretted notes (12 frets up). So, eg, "<7>" means fretted at 7, harmonic node over fret 19.

Plain numbers are fretted notes.

Code:
 Bm11
|---------------------7--9-----9--7----------------
|---------------7----------------------7--------7--
|---------7----------------<7>---------------7-----
|-6/7-------------<7>--------------<7>-------------
|-----------<7>--------------------------<7>-------
|-----<7>------------------------------------------
.
 E9(13)
|-------------------7--9-----9--7------------------
|-------------7------------------------7--------7--
|-------7----------------<7>-----------------7-----
|-6-------------<6>---------------<6>--------------
|---------<7>----------------------------<7>-------
|---<7>--------------------------------------------
.
 A(add9)
|-----------------------5----------<5>----
|--------------------5----------<5>-------
|<14>-------2-----6----------<6>----------
|--------------9----------<9>-------------
|--------7--------------------------------
|-----5-----------------------------------
The first two chords only have one note different, but that does mean quite a different chord shape/fingering.
(Obviously the idea is to allow each note to ring as long as possible, so you need to hold the barre, or partial barre, throughout.)

NB: he doesn't get the 7th fret artificial harmonic on 5th string to work each time. A couple of times you hear the main note (low E); I'm not sure if that's intentional, but I'm assuming not, as it breaks the pattern. (He also fluffs the high 9th fret C# once. Hey, no criticism intended )

The last chord is a tricky stretch (IMO), but OK with a bit of practice. Index plays 6th only to begin with, to leave 3rd string open, then goes into a full barre after the 9th fret note. 7th fret is played with ring; middle goes to 6th on string 3.

You can of course play this without a capo (in G), but you'd need to subtract 2 from all the tab figures. And that A(add9) - or rather G(add9) - would be a bigger stretch...


BTW, that Tommy Emmanuel video is very good at showing the "artificial" harmonic technique, and he's quite right that there's nothing "artificial" or "false" about them: they're the same as "natural" harmonics, as sounds and notes; just the technique is different. The word "artificial" refers to the fact one has to "construct" them in a more complex way, with the picking hand alone.

Last edited by JonPR; 12-12-2012 at 05:18 AM.
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