#61
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Quote:
Good question. The point I think is OK for that particular system is going to be different than what others think. My customer thinks it's OK to put it in a $4,000+ guitar. I've put that pickup in two of my guitars. One is a $300 Recording King that I have as a loaner if a customer needs a guitar while I'm working on his. The other is in a Guild GAD25, a $600 guitar that I play quite a bit. I doubt that I'd put it in anything much more expensive than that. To say that a barndoor system de-values a high-end guitar is probably not as accurate as saying it severely limits the market for resale. If someone happens to be in the market for a D-41 12-string with a Fishman Presys 301, it probably wouldn't hurt the value at all. But most people who have $4,000 jingling in their pocket looking for a D-41 12-string would be horrified at the thought of cutting a hole in the side to install a pre-amp, and wouldn't even consider it. |
#62
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You're a good man. Don't let him do it.
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#63
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Perhaps if you recommend that he contacts Martin for their opinion on his intentions he might change his mind .
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Martin OODB JT Gibson J45 Yamaha LLTA Yamaha SLG200S Yamaha NTX1200R Taylor GSMiniE Rosewood Joe Brown Uke AER Compact 60 Marshall AS50D Now 100% Acoustic and loving it ! No more GAS |
#64
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I totally respect and support your feelings about this.
You are a craftsman and your respect for the instruments that you work on indicates professional integrity. a) Whilst you are in business to make money rather than just work on guitars you have a right to decide what you do. b) If you do do what he asks, it may reflect on your professional reputation (he did what?) that could come back to bite you. Relevant court case in the news recently. Cake makers refused to make a cake on which the customer wanted a statement on it that they found objectionable. (The statement is irrelevant, so I'll omit details). Customer took them to court - which found for the cake company saying that they had the right to refuse customer orders that they didn't want to do. That is my opinion in this matter.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#65
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It may seem unsightly to some (not to me), but it is ergonomic and is a good system. Obviously this man is not a raving lunatic and possibly a friend so I would respect his wishes. Regarding your reputation I would be more concerned with offense of a customer than some guitar idolater seeing it at church or nursing home. What matters is that it will make it sound great, be easy to tune (twice as important to a 12 string slinger), easy to change battery, easy to EQ and blend, etc. These are the types of things performers care about. In my opinion it doesn't look any weirder than a soundhole PU. |
#66
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You shouldn’t be.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#67
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I don't quite understand. I understand your objections, but it's his guitar. He can do whatever he wants to it. There's a good chance he never sells it anyhow.
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#68
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Phil Keaggy has a Baggs smaller than barn door preamp in the side of his Olson guitars. So does Tommy Emmanuel (his is from Maton, but it's in the side). It takes at least 40 positive reviews to outweigh one negative one on Amazon and other sites. It's the same in real life. One person with a bad experience usually tells between 15-20 others about that experience. The ratio I was taught by a marketer at a seminar was 1-11-22. One person with a bad encounter tells 11 people who each tell 22 more. Either you are a business-man who is a guitar tech who is there to do work for ALL customers, or you are not. …If I go to a shop with a $15,000 guitar and ask for a pickup, or other alteration, I expect the luthier or tech to do it for me. They can present a case against (or for) it and I'm still going to expect the work to be done. They can refuse the work and I'll not be back…ever. If they refuse, I'll let my friends now about the refusal to do work I asked for.
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Baby #1.1 Baby #1.2 Baby #02 Baby #03 Baby #04 Baby #05 Larry's songs... …Just because you've argued someone into silence doesn't mean you have convinced them… |
#69
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"Take the money and run" is a disingenuous or really naive way to paraphrase it. I'm not sure which.
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-Jon |
#70
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The customer is 75 years old and retired, thus probably not interested in resale value. He wants what he wants. He also trusts you and heard what you have told him. Despite your objections, he has a right to make his own decision. Sending him to someone else to do the job because you have a right not to do it doesn't seem like the appropriate thing to do.
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Gibsons: SJ-200, SJ-200 12-string, SJ-200 Parlor, Woody Guthrie Southern Jumbo, Hummingbird Taylors: K24ce, 517 Martin:0000-28 Ziricote Preston Thompson: O Koa |
#71
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I wish this forum had "Like" buttons, but since it doesn't, LIKES TO YOU ALL! You have given me good feedback. Regardless what I end up doing, I will feel better about my decision because you have given me different perspectives on both sides.
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#72
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At the request of the OP, this thread is closed.
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"the tragedy in life is not what we suffer, it is what we miss" Guitar Experiences-> | Bourgeois | Collings | Cordoba | Larrivee |Martin | Northwood | PRS Electric| Rainsong | Taylor | Voyage Air | |