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#16
01-22-2020, 01:11 PM
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Repetition is the mother of skill... Practice makes perfect...and my favorite, Perfect makes perfect! You are building muscle memory, i.e your fingers will develop a brain of their own and you'll be able to play with little, if any, conscious thought. If you can play the song say 10 times back-to-back with no mistakes, then that's session musician standard.
+1 on Jeff's suggestion of working on more than one song at a time. 3 songs , IMO, is manageable for most mortals.
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 Last edited by Sonics; 01-23-2020 at 02:05 PM. 
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#17
01-22-2020, 02:03 PM
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Quote:
Quote:
Kidding of course. 
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#18
01-27-2020, 06:12 PM
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Wish you were here is a great choice.
My instructor showed me how to "slide" the solos instead of bend them. That was a revelation. Then, when I was a little better at this, he tabbed out the second and third solos in the "live unplugged" version with the cellist: https://www.youtube.com/watch?v=3j8mr-gcgoI I really liked that. It took the song to another level into beginning-intermediate territory. Or later beginning. Or something like that.
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