#16
|
|||
|
|||
I guess it's a matter of having a feeling for when advice will be useful, putting yourself in the others shoes, being honest and at the same time encouraging.
The old "the glass is half full, not half empty" approach. Don't patronize. If something is obviously "off", don't try to make excuses for it. Just makes it worse. If something is amiss, the person most likely already knows it. (Goes for most things in life. )
__________________
"Use what talents you possess; the woods would be very silent if no birds sang except those that sang best." Henry Van Dyke "It is in the world of slow time that truth and art are found as one" Norman Maclean, |
#17
|
|||
|
|||
Alot of perfectly true and agreeable statements above. TB, in your case, I think I know you well enough to say that you were trying to offer what the OP asked for. Its not your fault they didnt like the response, Im sure you didnt mean ANYTHING in a mean or condescending manner, quite the opposite. However, Like someone said, its art and people are funny, I get on you all the time and we are fine . Someone else may think I dont have the right to make an opinion after they ask for it simply because it goes against their feelings about the piece. There's a ton of stuff posted here I would never pay to hear, but in the spirit of comraderie when someone ask's for feedback I look for what I like about the piece and focus on that. Especially since I have respect for those who are willing to put it out there, I think its usually better to say something nice, especially in this enviornment where much is lost in translation. I think most are much better than me anyway, and since I own no recording equipment I only try to offer up what they ask, especially since I dont think I could do better.
Sometimes people are just too sensitive. FWIW, I think your one of the nicest and most helpful members we have. The OP that I think we are refering to is a really nice guy as well, IMO. I believe its just an internet thing, in person I doubt it would be misunderstood as easily, I would hope! Take care, Sammy |
#18
|
|||
|
|||
Quote:
Criticism has ranged from "HOLY #$%&!! GET THAT ON THE RADIO!!" to "Kevin, this is some of the worst #$%& I've ever heard," and everything in between. No holds are barred. ...and have I told you guys about the various uses of the word "#$%&?"
__________________
Shifting Midnight Lead singer, guitar Guitars For Sale: *PRICES REDUCED 7/23/08!* 1964 Gretsch 6003 – $450 (shipped) Custom Yamaha Strat - $160 (shipped) |
#19
|
|||
|
|||
First- you call it "constructive comments", not critism.
Second- you always start with something positive about the piece- pick anything that was good/enjoyable about it.
__________________
Sharky-Blessed '26 La Pacific banjolele '76 Martin Sigma DR-9 BIG GAP in GAS '87 Guild D25-12 w/ K&K PWM- acquired in '07 '12 Voyage Air VAMD-02 '16 Alvarez MFA70- new to the herd 1/4/17 Ultrasound AG50DS4 Now playing in honor of The Bandito of Bling, TBondo & Dickensdad |
#20
|
|||
|
|||
People post their music for different reasons.
1. Some people are novices and are looking for assurance and encouragement more than real advice. At least the advice should be gentle and affirming. 2. Other people are very good at this, and they know it. They really don't care what anyone thinks. They're just asking for comments because they want you to listen to get their clicks up. Or maybe they want to hob-knob with their fellow wizzards. 3. Then there are those people somewhere in the middle. I try to be wary of what group the person is in. In each case, the music has to connect with me on some level if I'm going to make any comment. Styles are different. There's no reason my preferences are any better than anyone elses. So, if I don't like something, I just don't say anything. I reserve comments for those tunes that have made a connection to me somehow. And I hope that the writer will take that comment and file it away in their memory bank and maybe sometime in the future they will benefit from reading it. Either that, or feel free to ignore it. I haven't been given any special portion of truth to dole out. Oh. And I don't have time to click on everything that gets posted. So, my absence from comment doesn't mean I don't like something. (Not that you should care). And people need to develop a tougher skin. It's the freaking internet, afterall.
__________________
You're talking to me. I hear music. And the whole world is singing along https://marshallsongs.com/ https://www.reverbnation.com/marshal...ther-tragedies http://www.youtube.com/watch?v=x-UGW...neHaUXn5vHKQGA http://www.youtube.com/watch?v=dGxDwt26FZc http://www.cdbaby.com/cd/marshallsongs http://www.myspace.com/marshallhjertstedt |
#21
|
|||
|
|||
Quote:
bill
__________________
Bill Gennaro "Accept your lot, whatever it may be, in ultimate humbleness. Accept in humbleness what you are, not as grounds for regret but as a living challenge." |
#22
|
|||
|
|||
I wouldn't post a song if I weren't ready for criticism, and in fact to me that's the whole point - that's how songs get better. Sometimes it just takes a second pair of ears. Anyway, to the OP, I hope one guy's reaction doesn't stop you from posting your objective comments.
__________________
Santa Cruz SSJ |
#23
|
|||
|
|||
I post because
I am new to this recording thing and find it is a great way to grow as a musician. I take critcism for what it is meant to be for me...a helpful way to improve. How can I add or subtract from the tune to make it hit home? I do not post to get a pat on the back even though an occasional attaboy feels good. I have fun doing this and no amount of bad press will deter me from it. I think a crusty exterior is a good thing to have sometimes along with a compassionate inside to know when and when not to comment; even when it is asked for by another. I usually will not comment if I flat out do not like the composition but also will not if my feelings have been already stated by someone else in the thread.
I know there are far more people in the world who have an opinion than those that have a good one TNuT |
#24
|
|||
|
|||
Quote:
I share the opinion that folks who post songs with a view to getting criticism should be adult enough to handle whatever comes their way. It's true that some "criticism" can be inappropriate, miss the poiont, or even rude, but that comes with the country. |
#25
|
|||
|
|||
If I wanted become a professional musician, and I used an internet forum as a platform, I would have to expect criticism. People have opinions, and no matter how "cautious," "tactful," or "gentle" the overall tone of the forum is, criticisms will arise from the anonymous sea.
If I posted a song and a hundred people told me, "You should just quit. You really have no talent, and your voice is dreadful," then I would have a couple of choices. One, I could take that advice, sell my instruments, and go back to watching reruns of American Idol. Two, I could accept that maybe being a professional wasn't in the cards, and continue playing and singing anyway - just because it brings me pleasure. Or three, I could use that criticism as a motivator. I could redouble my efforts to improve myself, take more lessons, work harder, and never lose sight of my dream. One choice I really wouldn't have is to get mad at those who gave their opinions.
__________________
Safe as Milk |
#26
|
||||
|
||||
Hmm...that wouldn't be constructive criticism on music posted...however, that would be an insult AND not nice.
__________________
There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#27
|
||||
|
||||
Quote:
Seriously, though, save the hard criticism for those you are sure can take it. When I was starting out and released my first CD, I figured I needed every possible review I could get in order to build a one-sheet. The vast majority were highly complimentary--most were enthusiastic about all cuts and a couple skipped over those aspects that (impliedly) didn't wow them and instead explicitly focused on what they found outstanding. But one person told me to submit to a couple of publications I didn't know reviewed major-label artists along with newbies, and held everyone to the same standard. One said that my voice didn't have the "edge necessary to be competitive in today's pop and country markets." I was so devastated I didn't notice the parts that said "an able wordsmith and a fine melodist" and praised specific songs and my playing. Three years later, knowing what I know now about my voice and having improved it through diligent therapy and study, the other review came out. The reviewer was flabbergasted when I wrote back and told him I knew exactly what he was talking about, agreed with him, and to expect a quantum leap in vocal quality for my upcoming release. He has since gone to individual newer song downloads and is nagging me to finally release my next CD so he can review it. The difference in my attitudes then and now? Time, maturity, knowledge of the marketplace, practice, and confidence. You can suss out who is a noob and who ought to be held to a higher standard, and respond accordingly.
__________________
Sandy http://www.sandyandina.com ------------------------- Gramann Rapahannock, 7 Taylors, 4 Martins, 2 Gibsons, 2 V-A, Larrivee Parlour, Gretsch Way Out West, Fender P-J Bass & Mustang, Danelectro U2, Peavey fretless bass, 8 dulcimers, 2 autoharps, 2 banjos, 2 mandolins, 3 ukes I cried because I had no shoes.....but then I realized I won’t get blisters. |
#28
|
|||
|
|||
A rather fine point, don't you think? Perhaps the person making that comment was in the music business, and felt that the blunt truth would serve me best. Polite is not always the most constructive.
__________________
Safe as Milk |
#29
|
||||
|
||||
Quote:
In this group, the number one rule is ''Be nice.'' That sometimes comes into conflict with ''Be Blunt''. And even with emoticons things can appear harsh in print since people cannot see our faces and hear the tone of our sweet voices. |