#31
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#32
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If there are more like us, then perhaps a store is viable. On the flip side, perhaps it is the case that luthiers are selling all they can produce anyway, so there would be no uptick in sales by having a retail outlet... |
#33
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We could organise a UK buy/swap meet!
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Some very nice guitars. |
#34
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Also, no real point having a bricks & mortar store (with all the costs that entails), since drop-in sales would be vanishingly rare. I only saw one drop-in when I was at TAMCO, and that was some guy after a set of strings. Better to run it from your front room (like some high-end hi-fi dealers I know). I always had a great time at TAMCO - Trevor was a great guy if you got to know him. Fabulous selection of instruments. Also enjoyed TNAG as well - they sure weren’t shy about letting you try anything - It was pricing that was an issue (and the daily “sales”, so you never really knew the price of anything). Cheers, Steve |
#35
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... What we need in UK is a 'collective' approach. The problem for shop owners is that the overheads and margins needed make it very challenging for a 'business' to operate at a profit.
The ideal set up would be a not for profit 'shop' which carries these instruments with out the need to invest several hundred thousand in stock, but allows folks to try and then get directly in touch with the builders (or buy the sample model with full purchase price (minus any shipping etc) going to builder. The running and admin would be covered by an annual charge for the shop overhead to break even. It would need a sort of retired/semi retired person who loves guitars to run it with out taking a salary... ;-p Couple of things - if no one does this in next couple of years, I might do in 2024/5 - subject to enough Luthiers willing to pay the annual subscription, which would of course get lower and lower the more that partake. Problem is for many of the top tier, their order books are so full for many years, they no longer need this service, so it might be best for new and up and coming Luthiers? |
#36
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I've had two guitars from Roy Dowling but am still waiting to try and visit his workshop; it's just too far for a sensible day-trip. Expensive as well (for the benefit of those reading outside UK mainland, our trains are insanely expensive). Same goes for DK guitars, who I'd like to visit but just too far. The best compromise is London, since it's easy to get to (and excoriatingly expensive) or, more sensibly, somewhere in the Midlands. Personally, I have been best served by afficionado get-togethers where zillions of guitars from the participants are available to play (and with out dealer hype and hard-sell). The obvious is Ian's on the South Coast; if Chris Stern turns up, that's 50 guitars for starters! Cheers, Steve Last edited by steveh; 12-04-2021 at 03:36 AM. |
#37
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What is Ian's on the south coast?
Nick |
#38
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Just to add another option:
You could have a look at Lakestone guitars (https://www.lakestoneguitars.co.uk).
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-------------------------------------------------- Finger OMC3 Lâg Pierre Bensusan (for sale) Composite Acoustics GX Aura Takamine TAN77 -------------------------------------------------- |
#39
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Ian is a member here who very generously has hosted an annual get-together at his place in July. Running for several years, SARS-Cov-19 saw to it that 2020/21 didn't happen. Given that it's a major highlight of my year, that wasn't good news but can't be helped. Hoping 2022 occurs.
Loads of the UK acoustic "cork-sniffers" turn up (as do several luthiers) and we sit around, compare guitars, eat, and get inebriated. TBH, I don't know how Ian and his lovely wife, Shar, cope with it. There are mountains of guitars, and a very high proportion are sole-luthier product, usually with several examples from each maker. Cheers, Steve |
#40
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Sounds rather good ;-)
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#41
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Ian’s do is a great day!
If or when up north visitors always welcome here to try any of my guitars. I have 43 guitars: Ralph Bown 6 Martin 8 Jamie Kinscherff 4 Collings 3 James Olson 2 Kathy Wingert 2 Froggy Bottom 1 Santa Cruz 1 Circa (John Slobod) 2 Stefan Sobell 1 Dale Fairbanks 2 Pre-War Guitar Co 1 Kevin Ryan 1 Simon Fay 1 Franklin (Nick Kukich)1 Bill Tippin 1 Fine Resophonics (Mike Lewis) 1 Mark Beneteau 2 Northworthy (Alan Marshall) 1 Hofner Violin Bass (1963 as Macca) Fender Thinline Telecaster. Numerous other instruments.
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Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#42
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How brilliant, I shall look out for that, sounds amazing.
Nick |
#43
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Rory (Taran Guitars) is about 20 minutes drive NE of Edinburgh, where he first opened shop and needed more (and affordable) space, so bought the farm (so to speak) in a wee village. Worth the trip. I tried a small-bodied instrument he made of all maple--which usually leads to a harsh and treble-heavy tone. It was lush and full with incredible sustain.
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#44
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I wonder if there is appetite for a UK high-end guitar get-together. Location in the Midlands (central), low cost venue. No bells and whistles. Invite all the UK (and European?) artisanal luthiers for a table-top. One day only. Charge modestly for exhibitors and punters. Have places to be able to play where you can hear yourself. Kind of like a pop-up guitar showroom. Anyone interested can stay over and party on into the evening. Have some focus on the builders who are nearer the beginning of their journey to give them some exposure and experience, but ask the old-timers too.
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Northamptonshire, UK Guitars by: Tom Sands, Michael Bashkin, Turnstone Guitars, Taran Guitars, Jeff Bamburg, Marchwood, Fylde, C F Martin, Patrick James Eggle, John Kinnaird, Yairi, Yamaha, National, Gretsch, Fender, Recording King, Camps |
#45
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Being here in the US, I can’t speak to the appetite there in the UK, but I can say that from an attendee’s perspective, guitar events like you describe are fantastic . The challenge is that they take a lot of time and resources to pull off well. The Healdsburg Guitar Festival that was held every other year from about 2001-2013 here in Northern California was well attended and much loved but the folks putting it on got completely burned out. If you get a committed sponsor, a decent venue, and someone with event experience to run it well, including engaging a solid group of guitar geek volunteers, you’d have a chance for success. I have been completely spoiled over the years - luthier shops and high end guitar shops are very accessible in the SF Bay Area. I’ll hold a good thought for you in the UK for a good option to be created. Being a newly retired guitar geek, I would plan a visit to the UK if it included a high end guitar event. :-) Best, Jayne |