#31
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I second Eastman. Either an E6 OM (mahogany) or an E8 OM (rosewood).
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Eastman AC422CE - sitka & rosewood '86 Guild D-25 - spruce & mahogany Taylor GS Mini - spruce & rosewood Eastman MD-514 Mandolin - spruce & maple Kentucky KM-250 Mandolin - spruce & maple |
#32
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Just get a Yamaha LS16 and be happy. They are truly great guitars and the deeper body separates them from some of the quieter OM models. I've had a ton of great acoustics over the years but of all of them the Yamaha bang for the buck wins out.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#33
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I have just taken delivery of an LL-16 ARE, you know the non bling version. The LL-16 is not a real dreadnaught. By that I mean the size. It is more like a southern jumbo. The lower bout is about the same as on a full dread, but the upper bout feels more like a slope shoulder dread when you hold it in your lap. The 5 piece neck is absolutely LEGIT! The action is low, low, low all up and down the fretboard and no fret buzz. Finger pickers will love the action. I am a flat picker and a beginner, and I probably get a bit too aggressive with the attack, but still no buzz!
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#34
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Quote:
Welcome on Board, Scott Memmer |
#35
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The Yamaha guitars I have played in that price range have been absolutely fantastic. Several of my students over the years have purchased one flavor or another, so I have had the chance to play and evaluate Yamaha offerings. Sweetwtarer.com is the big Yamaha retailer in the US. In bigger guitars in that price range would be the LL6 ARE, LL16 ARE, and the LL16 D. The Yamaha Red Label FSX3 looks to be a great choice in a smaller-bodied instrument. My most recent student just bought a LL6 ARE. Think he paid around $550. This guitar, in my humble opinion and considering the price, is outstanding. The set-up was great, the fit and finish of high quality. Played and sounded great. I wish, 40 years ago when I was really starting to get interested in guitars, that I would have had the choices that are available today. Frankly, most of the guitars back then were terrible, unless you could afford a Martin or a Guild, maybe a Gibson. Not much was around for $300-$400 dollars. I ended up with a Yamaha which saw me through a lot of years of learning. It was a decent guitar but not nearly as good as similarly priced Yamahas today. Good luck with your search.
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#36
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Hi Sundance
The last time I went on a guitar 'search' I had these parameters in play.
As a result, I spent between 5-6 yrs looking. I played hundreds of guitars (at length)…maybe over a thousand. Five-six years is a lot of time, and I was actively seeking a complimentary guitar to my Olson, of playing and recording. I kept notes. I now know a lot more about styles, sizes, tonal characteristics, etc of many of the top guitar makers in the USA including SantaCruz, Froggy Bottom, Collings, Sheppard, Applegate, Somogyi, etc. I still played Martins, Gibsons, Taylors etc. My advice to you… Take another player with you to play for you so you hear what it sounds like when you sit across from it and listen. Have the money with you to make a deal on the spot. If you fall-in-love with a specific instrument, buy it. A particular make and model often will not sound as good as the guitar you just played. If you order it because it's cheaper, you may be disappointed by the results (particularly true of manufactured instruments). Guitars can look identical and exhibit an entirely different sound characteristic. If you are going to drop a major amount of money, you probably want to end up with a guitar that makes you happy for a long time! |
#37
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<< “ I'm not very experienced with different types of acoustic guitars so I've been doing a lot of research on this forum, and elsewhere, to try and understand the features I should be looking for. Unfortunately I do not have access to any local guitar shops (even pre-lockdown) as I live on a remote Scottish island. If I can manage to make a shortlist, I hope eventually I can go to the mainland and try them out before I decide.” >>
<< “I have decided I would like a cedar-top, GA body shape and pickup, so I have a shortlist of: Furch Blue Dowina Sol (Chardonnay) Dowina Ceres (Cabernet) These are all available with pickup for about £1100 which is probably my maximum budget. The Furch has mahogany back & sides, the Sol is walnut and the Ceres is rosewood. From everything I've read and listened to, I think rosewood would be my preferred choice but I'm open to opinions on the others options, especially walnut. I play mostly folk songs with travis-style fingerpicking. Aesthetically, I think the Dowina guitars look nicer, especially with the clear pickguards. However, Richard's guitars told me they could remove the pickguard from a guitar if I wanted. Can anyone offer any advice about these guitars? Furch seem to be more popular and I've read so many good things about them. I would have no concerns buying a Furch. Dowina don't seem so well known, which may even be a good thing, but it's hard to really get good independent opinions on them. I would really appreciate it if anyone is able to advise on how Dowina compares with Furch. “>> _———_—————————————————————————————————- Seriously, it’s as if folks didn’t bother to read this person’s earlier posts … I’d love to hear if anyone actually has an answer to the question asked. I’ve pored over the internet this afternoon and am having a hard time finding something concrete (other than on a French language forum discussing Dowina’s “Antique” line—which I’m not sure even exists anymore—as being partially built in China, but the comments date to 2009 or so). As for ordering from Richard’s Guitars, Mr. Cholerton seems to be a very sincere individual running a great shop. I’ve exchanged emails with him in the past on the subject of Furch and I was left with a good impression of confidence in the man and his establishment.
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Furch Yellow Master’s Choice — Cedar over EIR |
#38
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Faith guitars are worth a look mate. All solid woods and UK designed (Indonesian built?).
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#39
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My 1 pence.
I played an Auden Jumbo a couple of months go and thought it was OK. Played very nice but thought the tone was a bit indistinct. Had a Road series Martin for a while but the Richlite always felt clunky to me. To my ears the Furches sound a bit like the Audens and lack bollocks. I am heartily going to recommend an Eastman. They totally blew me away after taking a gamble on one sight unseen. They just ooze build quality (I have a E1ss Ltd). For 1k you could pick up something pretty spectacular from their range I'm sure. |
#40
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You can have fun with this- take your time .
play everything with strings that you can get your hands on . gain the experience by playing different instruments . you may find something you may of never considered - or get the deal of a lifetime.
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--------------------------------- Wood things with Strings ! |
#41
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Quote:
Engelmann spruce is great for fingerpicking! Re: nut width. Most nut widths seem to rarely stray beyond 45mm as a max and I wouldn't lose any sleep over 2mm here or there less. Furch have a pretty weird neck and truss rod design - I've seen a few issues with those on various Forums. For me I'd stick with something more conventional if your splashing the cash and want a safe bet. Dowina have like one singular UK distributer! Body shapes - If you bought a D28 you'd think christmas had come early so why piss about with GA's OM's and OO0's unless you are an octogenerian or have chronic arthritis. Dreads and slope shoulders are fine for fingerpicking. And its great to have bass on tap if you want to dig in. Especially if you capo when fingerpicking. So my recommends are (not in any order): Martin (road series), Taylor (2nd hand solid wood), Yamaha, Faith (legacy series), Eastman (anything), Guild (D140, D150 especially). |
#42
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I have an Eastman AC422ce that I bought for $900 US dollars new and it compares favorably to my Martin OM28 Modern Deluxe, Martin D42 and Taylor 814vs DLX.
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2019 Martin OM28 Modern Deluxe 2019 Eastman AC422ce 2014 Martin D42 2016 Taylor 814ce DLX 68 Blond Fender Telecaster |
#43
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Pretty solid
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Steven Boucher SG-52 (Adirondack Spruce/East Indian Rosewood) Bourgeois OM Custom (Italian Spruce/Cuban Mahogany) Martin Custom Shop 000-18 (VTS Sitka Spruce/Sinker Mahogany) Taylor GA3 (Sitka Spruce/Sapele) |
#44
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Brands I would consider in this price bracket:
Eastman, Freshman (400, 500 and 600 series), sigma (only their all solid models especially their limited run guitars) and Faith. Personally in this price bracket I would be looking at Eastman and Freshman (Higher end Sigma's are harder to find). Eastman need no introduction and the 400-600 series Freshman guitars are outstanding, you should be able to find new 400 and used 500 seres in your budget (the 600 series will likely be quite a bit more even used but you never know). Faith make some nice guitars as well but their tone is very modern. Furch guitars are excellent but I think the best value is in their £2000+ guitars (much like Taylor and Martin). With Eastman and Freshman you get a lot of VFM at this price point. Personally I'd avoid the low level Martin and Taylor guitars, really not much bang for the bang in materials or tone.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#45
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Thanks for all the replies. There are so many options and I appreciate the advice.
I haven't completely ruled out spruce tops, and this does open up a lot more choice of guitars. It's difficult when some advise to avoid the big brands at my budget level and others say go for it. I had a look at Martins around £1k and they all seem to be laminate back & sides which puts me off them. Yes, I'd love to own a Martin, but maybe that is just because of the brand name, and I can't help feeling that a hand-made all solid Furch would be a better choice. Also, I really want to love this guitar as it will probably be the most I ever spend on an instrument! Having said that, I am drawn towards the Yamahas. I like the understated looks and they are the first spruce tops which have sounded mellow to my ears. Maybe it's the ARE treatment they use. I particularly like the FS3/FS5 red labels (although these seem hard to find in the UK) but am also interested in the LS16. So, I'm adding these to my shortlist. I'm also less inclined towards the Dowina now simply because it feels more of a risk to go with a relatively unknown brand. I do have another question about setups...I was keen to buy from Richard's Guitars because I believe they are meticulous in doing a proper setup before shipping their guitars. I don't have anywhere local where I can get this done and I'm not confident of doing it myself. However, I want to consider other guitars which are sold at other retailers in the UK, some of which may be larger, less personal, businesses. Can anyone advise how other UK retailers are for doing setups? EDIT: Just seen an ex-display Yamaha LS16 ARE available here for £600 which is tempting. I'm not sure this would be my ultimate dream guitar (maybe I'd be surprised though) but seems like a great deal. Only concern is I've read that the nut width and string spacing are slightly narrower than the average 45mm nut guitar. My main problem with my current dreadnought (Simon & Patrick SP6) is the lack of room on the fretboard when fingerpicking. Should this be a concern? Last edited by *Sundance*; 11-18-2021 at 05:49 AM. |