#16
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Hi Phil!
Congratulations on the new and fascinating guitar! What an adventure for you! - Glenn
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My You Tube Channel |
#17
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Great guitar from a great builder for a great guy...it was meant to happen Phil
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#18
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Whoa. That’s really pretty.
I’m jealous you got to go to that festival. |
#19
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Oh - and the fretboard is black palm. Never seen that before - except on end grain on some accent pieces here and there. It's also a renewable. I'm not sure the pictures are high enough res for you to see the grain - but the grain is in a random pattern longitudinally with the neck - lighter 1/4-1/2" long grains against the black back. Very nice.
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#20
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I changed the title to indicate which guitar this thread was discussing - not to phish for new readers!
And, an update. I am liking this guitar more and more - both in tone and playability. And a confirmation from another - my guitar instructor / prof mentioned the other day just offhand - "that guitar really sounds good"! This for a small body with renewable woods! Cheers all, Phil |
#21
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Lovely guitar, Phil! You have impeccable taste.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#22
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Doesn't surprise me a bit.
Steve
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Still crazy after all these years. |
#23
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Congratulations!
Back when I was in my couch guitar phase, I commissioned a Retreux from Mike. It was a hell of a guitar, so I can only imagine how good your parlor is. Thanks for sharing and play it in good health!!!! |
#24
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That little thing is a visual masterpiece.
Well your post inspired me to tune down a step with my parlor. I like the rich bass. So congrats and thanks!
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#25
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Belated congratulations, Phil! What a little beauty! Glad to hear you've found a Retreux that keeps you coming back for more.
My Aloha Koa (Retreux Parlor #9) remains a wholly addictive guitar. For those interested, the fiddleback mahogany Parlor mentioned in the OP is now available on reverb, as is the larger 00.
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#26
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Quote:
https://reverb.com/item/17401420-bar...ux-parlor-2018 And where did THIS one come from???: https://reverb.com/item/15702062-201...do-blue-spruce Wow! ABW with a Blue Spruce top, Florentine cut full-featured Meridian Concert, beautiful! Sorry, I'm hijacking my own thread.... Best all, and merry Christmas, Phil |
#27
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I should mention that Phil has performed live with his Retreux Parlor. Apparently, the guitar was perfect for the setting and repertoire.
In my experience, it is great for accompanying singer/songwriter types. So much tone and expressiveness in a beautiful little package and so easy to play!
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#28
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Baranik
Sorry to resurrect a zombie thread, but I can't believe I missed this one.
Congratulations Phil! I especially like the black palm fingerboard, as I have never seen one like it. The black palm on the rosette of my Baranik "Black and Blue" CX is one of my favorite parts. I too am in self-imposed isolation due to the spread of the Coronavirus, so I have been trying to play more guitar. Darn! Glad to see you still posting Phil.
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John Tucson, AZ 2020 Kraut 00, Swiss/Brazilian, build 2018 Eady EG Pro Electric, Redwood/Mahogany 2013 Baranik Meridian, Blue Spruce/Cocobolo, build 2008 Baranik CX, Blue Spruce/African Blackwood 2008 Breedlove A20 Masterclass 12-string, Adi/IRW 2003 Thames classical, Euro/Brazilian Fodera Standard 4 Fretless bass, figured walnut |
#29
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Hey no problem resurrecting the thread! (it is Easter season, after all...).
The little guitar continues to impress me. As Tim McKnight told me one time - and others have said this too - the adirondack takes some time to re-awaken - 30 minutes more or less. It then hits a new "step" that really sounds amazing. It's happened too many times for me to write it off as my imagination. My next "last build" by Mike will have a sister top to this one. Just a cool guitar, comfortable to play, and folks like how it sounds as much as I do. Cheers all, Phil
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Paragon RW/Macassar Ebony Baritone Rainsong S OM1100-N2 Woolson LS RW/30s African mahogany LG 12 Baranik LS RW/"tree" mahogany OO Baranik Blue Spruce/"tree" mahogany OM Boswell RW/koa OO Baranik Retreux Parlour Adi/Pumaquiro Baranik Blue Spruce/Coco Meridian "Geo" Baranik Blue Spruce/Kingwood OO Woolson T13 RW/Walnut SIG |