#16
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I wish they had this one out a couple of years ago when I was looking for a small amp for my workshop. I bought a LB Mini instead and it works just fine. I have an LB Artist that I use sometimes for small venues but most of the time I’m using my Bose L1 Pro8 or my S1 Pro. I think there is a niche for this but it would be better if it was priced south of $250.
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#17
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I’m not sure why anyone would need an acoustic amp for home practice. An acoustic guitar is a self-amplifying device as far as I’m aware, and none sound as nice plugged in as they do au naturel. I can see why some would want to plug in to run pedals etc but an amp with a 5” driver is going to freak out with anything significant in the way of effects in front of it. I’m pretty sure a Mini would be a better bet in every way for amplified practice.
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'67 Gibson J45 (K&K) ‘81 Eko Ranger IV (weird factory Electra pickup) '95 Gibson Dove (MagMic) ‘97 Martin D18GE (Sunrise) ‘01 Takamine EAN46C (Palathetic and CT4B) '02 Takamine EAN20C (Palathetic and CT4BII) '15 Gibson SJ200 Standard (Sunrise) ‘19 Vintage Paul Brett Viator VC Classical ‘20 Sigma CF-100 copy (Sunrise) Capos by G7th, amplification by AER. |
#18
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The Yamaha silent guitar maybe?
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#19
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Quote:
The balanced line out on my Everse 8 is invaluable, not just for my own stage volume but the EV QuickSmart app has extensive mixing capabilities and effects. This Fishman has basic high mid low reverb chorus and is only 40 watts so, meh. I do wish my EV had a headphone jack for self monitoring at home though. Dang, can’t have it all. |
#20
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Lots of bedroom/living room/basement players out there can't turn it up. No go without the portability of an internal battery.
A Roland AC 33 can be battery powered two 15 watt speakers--specs say 10 watt with batteries. A pound and uew ounces more. It is priced a uew hundred more. Something happened to my 6th letter?? Maybe new keyboard time. |
#21
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Quote:
and Fender Acoustasonic JR. Both fine amps... for in home stuff the Fender is really a nice amp for gig/work, the Fishman rules the day
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#22
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Not sure I really understand this one. The LB Mini is already the perfect practice amp and on the used market, it goes for the same price as this new Micro version. At least with the Mini, you have the option to gig it. I guess you could technically use the Micro live but I even find the Mini to be a bit underpowered. I often wish I had gone the next size up.
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#23
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Even if the Micro sounded OK, the deal killer for me would be the 24vdc/2.5a power adapter that it powers it (suspect something of a large power brick like used for a laptop(?)) . If the amp had a battery and the power adapter also charged it, the adapter 'might' be acceptable, but to have to lug around a 'brick' to just power the amp rather than a standard IEC AC power cord just adds to what one needs to carry, never mind if the power adapter should need to be replaced in the future and hoping they are available easily.
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#24
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I can see possibly using it as stage monitor and a DI out, for guitar, to a PA mixer or powered speaker, but could it possibly serve as a stage monitor for bass vocals that occasionally dip below 60Hz?
Teja demoed it with drop D tuning, but the D2 pitch is 73.4Hz. |