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Yamaha MG10XUF...
I saw one of these in a Guitar Center yesterday. First that I've seen that model - it looks to be the same as the MG10XU with faders for each channel instead of a knob for volume.
Has anyone tried this? Since the footprint is a bit longer than the non-fader model, do you find the faders are more functional? (Also, input from the MG12XU owners welcome.) How is this unit for recording directly to a Mac? Looks like it would be a simpler set-up when recording multi tracks with different instruments/vocals. Opinions?
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Some CF, some wood. |
#2
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This doesn’t answer your question, but my 3 part combo band just went from a Yamaha MX10xu to the Berringer XAir-12. Way more control over your mix and a lot more features. A big improvement in sound for us.
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Listen to the music! |
#3
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I have an MG10XU and the MG16XU. The sliders offer a bit more perceived control. If you're used to knobs, just as much control can be had through them. As for recording, the interface is pretty good. The mixer probably includes Steinberg, but with your Mac I imagine Garage Band will be the way to go. The compression is really nice on these Yamaha mixers.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#4
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I do use an iPad, with OnSong... so it would mean having another iPad or having to switch back and forth between the apps. Maybe I am over-thinking those concerns?
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Some CF, some wood. |
#5
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Some CF, some wood. |
#6
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The Yamahas are nice and yes, I find faders give me more control. If you want to fade down - or up - more than one channel in a live situation then you can do it with one hand. You can’t do that so easily with rotary knobs!
The compression is a nice feature for such a compact mixer but use sparingly!
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
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#7
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And yes, if you are already using a tablet, you'd need a second device or to switch back and forth if you need to make mixer adjustments during the show. My tablet is only for the mixer, and I decided that the wireless capability, small footprint (and ability to record multi-track live) was worth it for me. Your needs may vary. |
#8
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Another question, this time about the effects on the MG10XUF: can the effects be applied differently to each channel (i.e. reverb on a mic channel, chorus on a guitar channel)? I looked through the owners manual online and didn't see where this was explained. Of course, the guy I spoke with at GC about it wasn't sure.
TIA for any response.
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Some CF, some wood. |
#9
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#10
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Thanks, YamahaGuy. I was hoping I was wrong on that; seems to make the effects less useful. I appreciate knowing, though.
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Some CF, some wood. |
#11
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Went to use my brand new MG10XU non fader model on Saturday night, but the speakers I borrowed kept putting out crackle from the guitar channel.
I also couldn't get a lot of volume out without distortion. I'm hoping it was just a matter of a bad lead, as it was only one speaker, but the guy I had helping me set up also mentioned that perhaps the speakers were too big for the mixer, requiring too much output? Is that a thing? They were un-powered speakers. Admittedly, I didn't try another channel before I unplugged everything, and used the mixer my mate brought along. I barely had to raise the volume levels from zero before I was producing huge sound from the speakers.
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#12
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__________________
Some CF, some wood. |
#13
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I feel like an idiot now!!
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#14
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The idea that the speakers might be too big for the mixer also doesn't really make sense. It's quite important that passive speakers are matched with an appropriate amp but just about any mixer on the market can be used to provide a signal.
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#15
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__________________
As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |