#16
|
||||
|
||||
Quote:
Aside from that, though, can tab really represent all the nuances of a piece of music ? I've found tab in conjunction with a video to be much more useful.
__________________
There are still so many beautiful things to be said in C major... Sergei Prokofiev Last edited by Bern; 04-21-2013 at 10:07 AM. |
#17
|
|||
|
|||
I agree...as a relative beginner, progressing slowly but surely, I find the internet both an amazing resource and at the same time, very frustrating with the plethora of inaccurate tab and even lyrics.
I look for the highly rated tabs, read the comments to id errors and also compare different versions, ending up with my own edited version in onsong. I also listen to and watch the originals on youtube, slowing them down and repeating them to find my way, rhythm inparticular. I also lean towards trusted sites like Justinguitar.com for consistency. This 'blended' approach works for me. md
__________________
Mike Martin 00028H Ambertone Washburn Cumberland Jumbo J28SC, black Epiphone Les Paul Goldtop 56 Reissue with P90's |
#18
|
||||
|
||||
Quote:
Of course it cannot, nor can notation. Video recorded by a competent player gets closest to expressing nuances in ways that are discernible. I think that TAB in conjunction with a decent score could provide some fingerings, and timing, and suggested dynamics. I teach without any of that, because a lot of the songs we use are not Scored, nor TABbed, and ear training and eye training (YouTube is wonderful) are great skills which come into play with advanced styling anyway. I listen to interviews with 'old timers' (professionals) and they speak of the days of sitting by the turntable and dropping the needle back to hear it again-n-again-n-again with a guitar in hand to play along. TAB is not a curse, but it is often not much help. |
#19
|
|||
|
|||
Quote:
When I first started playing guitar in 1959 my parents insisted that I learn to read music. Mel Bay had just introduced his guitar method a couple of years earlier and besides his method (which was learning to read standard notation) traditional sheet music was all there was. I still have that first Mel Bay book. I saw my first guitar tab in 1966 when my nephew decided he wanted to learn to play. It was just re-emerging then. My parents weren't very musical themselves, but they sometimes had good instincts. Thanks to them I learned to read music from the beginning and later learned to read tab. I'm equally comfortable with both. What goes around comes around.
__________________
A bunch of guitars, a banjo, three mandos, and three ukes. |
#20
|
|||
|
|||
I remember th early days of the interw3b machine that Al Gore invented. Some of the tabs in the text format were simply awful. Sometimes they were a decent starting point, but tended to be a waste of paper. The poorer ones forced me to work on my ear instead.
|
#21
|
|||
|
|||
I only ever look up tabs if I need a second opinion or am totally stumped. Working stuff out is the best thing to improve the ear. Skipping that step and automatically looking up a tab without trying is the road to nowhere.
On another note, when trying to improve your ear I think that tab is superior to notation in that it doesn't give you all the answers. You have to listen. |
#22
|
|||
|
|||
Quote:
I think you must have made most of the Calif Dreamin' intro tabs that I have been cussing at lately! |
#23
|
|||
|
|||
I'll pick a song, pull up the tabs and play each version one at a time. "Nope, nope, close, a little better, nope, etc." When I find a couple of pretty close ones, I print them out and start writing in corrections as I go. The good ones can be useful for songs with unusual chords or common chords in unusual voicing or odd inversions. The bad ones make good ear training exercises.
__________________
"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#24
|
||||
|
||||
Quote:
I think intermediate and advanced fingerstyle players have the ability to recognize if it is advantages to get 'stuff' of recordings or not.
__________________
There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#25
|
|||
|
|||
Quote:
|
#26
|
||||
|
||||
Fair enough...
__________________
There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#27
|
||||
|
||||
Quote:
__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#28
|
||||
|
||||
Quote:
I never knew that. I always thought sheet music for piano was the norm and I guess I assumed everything copied that. Very informative. I can't play sheet music on sight but I can just about play tabs on sight.
__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#29
|
||||
|
||||
Quote:
One of my favorite instrumental pieces is Petite Etude by Rik Emmett off Triumph's Allied Forces album. I transcribed it from sheet music 25 years ago and started learning it. I went back to pick it up today, sitting for my first day on the patio of the year. I took the most common tab and worked on it. I stumbled because apparently I didn't remember it the same way. Then I found another transcribed from the actual sheet music. The second one reminded me how it starts and that the most common tab (which I just used for the past hour) was wrong! Arg, now I have to convince myself I havent practiced that song and un-learn the last hour of finger exercises. Prime and timely example of this whole thread.
__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#30
|
|||
|
|||
The guitar world has two written languages (with varying dialects): tab and notation. I want to be proficient in both.
Notation is, of course, far more reliable, and provides better -- and more standardized -- guides for timing, volume, etc. But good sheet music can be hard to find. Fellow guitarists who read it can also be scarce on the ground. Tab puts my focus on training aging fingers. And it's a great feeling when I can correct a wrongo tab. I believe bad tabs (when fixed) help me refine my ear. My biggest frustration as a trainee fingerstylist is misnamed "tabs" that are nothing but chord/lyric charts, complete with wrongo chords in wronger places.
__________________
Yairi and Son, Clase 300 (1971) / Yairi Guitar/S. Yairi, Clase 650 (1971) Seagull Series-S S6+ Cedar GT (2005) / Alvarez Masterworks MD90 (2002) / S. Yairi YW-40 (1973) Martin 00-15M (2012) / Martin 000-15SM (2011) Nimbus 2000 (2000) Kamaka Gold Label Soprano (c. 1960s) / Nameless "Chicago-style" Soprano (1910s-30s[?]) / Keli'i Gold Series Tenor (2012?) Kamoa E3-T Tenor (2012-13?) |