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#16
12-24-2018, 11:10 PM
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I preferred the 1st one. It was much bigger sounding.
The biggest issue I heard was a bit of flub in the mids...around 750-800Hz. But that's pretty typical for an acoustic guitar. I scooped bit out (I think I landed at 772Hz) and a little high pass cleaned up the mush from the room. Very nice over-all and I think you're on the right track. Keep at it.
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-Steve Too many acoustic & electric guitars, basses, mandolins, violins, dulcimers, trumpets & percussion instruments to list. 
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#17
12-25-2018, 10:31 AM
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Quote:
Thanks a lot for the reply and suggestions. 1st recording .. I used 2 mics in XY (2 LDC mics). 2nd recording was 1 SDC mic. I look forward to trying more arrangements.
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#18
12-25-2018, 10:58 AM
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It sounds good to me but maybe just a bit too bright. What you have is a good recording to do post-recording editing with as its better to have a little bit more of everything in a recording to work with than too little of something.
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Emerald X20 (Element VTC) Epiphone DR-500MCE (Shadow eSonic2) Huss & Dalton TD-R Larrivee SD-40M Legacy Larrivee D-40M Legacy Martin D-18 (Schatten HFN Artist Plus 2) Taylor 717e ES2 Taylor 618e ES2 Taylor 614ce ES2 Taylor 356ce ES2 Taylor 322ce ES2 Ovation Elite Plus Contour (OpProStudio) Yamaha LL-TA TransAcoustic Ovation VXT Electric (two Duncan '59/Fishman Acoustic Bridge)
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#19
12-26-2018, 07:20 AM
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Quote:
I am still testing and learning.
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#20
12-27-2018, 09:25 PM
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The only problem I hear with the first one is room reflections coming back into the recording. Get some gobos, or moving blankets and set them up strategically to help absorb room reflection. It sounds pretty good other than that. It needs some work done in post though. If you took care of the room, then expirement with mic placement (tiny amounts of movement can make a difference) you should be able to produce great recordings with what you have.
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