#16
|
|||
|
|||
I agree with those who suggest a full hollow body electric. Lots of great, affordable options: Gretsch, Epiphone, Godin, Ibanez, etc.
|
#17
|
|||
|
|||
Yes, I was interested in an Epiphone 335 style recently, but when I saw one in real life, it seemed huge. Great for when standing up, but probably not so much for sitting/reclining usage. I'd be tempted by an Epi SG, maybe with P90s, the great and much lamented John Martyn did ok with his for a long time.
Ten years this month since John departed for the Great Gig in the Sky. He lived just a few miles up the road from where I am, and used to do a summertime outdoor gig in the garden at the back of pub in Kilkenny, magical stuff. (Can one hijack one's own thread?). |
#18
|
|||
|
|||
Quote:
In regards to smaller body that retains some acoustic resonance, and P90 sound, I have an Epi 339 Pro P90 version. Not as much body resonance as even a 335 style, but the P90s in them sound great. One caveat, they are not hum-cancelling in the middle position. I'd be a bit afraid of gigging with mine without a backup myself, but maybe things are better now than they were in the 80s in that regard.
__________________
----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#19
|
|||
|
|||
I'm working on this one at present:
I've also had a 2" by 14" by 30" piece of mahogany I've been carrying around for 30 years and one of my buddies gave me a brand new Seymour Duncan '59 and I just couldn't see not using it. I gave up playing electric a few years ago and gave away my two custom Teles but I see this as an opportunity to go in a whole other direction. I have the mahogany portion of the body done and I'm ready to start on the spruce top plate. |
#20
|
|||
|
|||
Quote:
|
#21
|
|||
|
|||
Quote:
I'm not sure why Epiphone chose not to have RWRP on the 339 Pro P90 model. Many older multiple-pickup single-coil guitars were not RWRP, and there are some who feel that non-RWRP sounds better somehow despite the noise issue. If one wanted to make the set RWRP it can be done by combining the rewiring of the leads with disassembly of one of the pickups and flipping the magnets polarity.
__________________
----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#22
|
|||
|
|||
Quote:
For me, making my electrics 'feel like my acoustics' was predicated on very basic stuff: A large V neck, large fret wire, a wide nut, and preferably, a slightly wider than normal string spacing at the bridge....and, oh yeah: Heavy strings. I got most of those things with my Warmoth body & neck build. It's not easy finding a tailpiece for a Strat or a Tele that is more than 2.125. I did find a Schaller Hard Tail that goes 2.250 and put it on a Strat build. In any case that is my 'take' on what's required to make my electric guitars feel comfortable in my hands. I could never get used to that thin-string thing. Regards, Howard Emerson |
#23
|
|||
|
|||
Telecasters with a slightly wider neck and 11s or 12s work great for an acoustic feel.
|
#24
|
|||
|
|||
Funny thing, I just about always play my acoustics with a capo on the second fret, often partial capo with the bottom E free. I'm enjoying playing the Strat with a capo, don't tell anyone. (I've seen Ry Cooder do that in occasion.)
|
#25
|
|||
|
|||
I capoed my two Telecasters often.
|
#26
|
|||
|
|||
to answer the OP's question but going in a different direction look at a Guild S4CE, I've got one and can tell you that it's a meant to be a plugged in electric guitar. These are very resonant and the plugged in sound is greatly improved with an added sound board transducer like PUTW behind the bridge. Mine is a last year of Westerly RI production.
the neck is long with a strat/tele length scale the body is a hollowed out solid glued up chunk of mahogany top is a high grade spruce I think these are sleepers, I am going to post this Craigslist ad just cause is has good pictures of one - not connected to or endorsing this sale. https://milwaukee.craigslist.org/msg...790557870.html the seller is tooting - no it's not rare and if you are patient you can acquire one at lower cost Last edited by Dadzmad; 01-10-2019 at 08:41 PM. Reason: more info |
#27
|
|||
|
|||
Electric that feels like an acoustic?
When I brought my Gretsch Country Gentleman home, my son tried and said, "Oh, that's just what you wanted, an electric that feels like an acoustic." So, that was my son's opinion. It doesn't strum that well, but I have always enjoyed playing it. I would certainly take a few minutes and try a Gretsch. I like their professional series guitars. Before I got the Gentleman I had an Anniversary. Also a viable option. The Godin suggestions are good as well and at a better price point. My problem with many electrics, including a Gibson ES-330, is I'll grab that D chord and take the G-string sharp. Not a problem with the Gretsch.
__________________
=== "Don't let your baby down" Storm Windows, John Prine '66 Gibson J-200, '55 J50, JB Model 1; Martin M-36; Micheletti Osprey Rigid Rim; Collings OM2H, GR Bear OM C; Emerald X10 Slimline; Gretsch HOF Country Gent & G6120CMHOF; Gibson ES-165; CP Thornton Improv; Veillette Flyer 14 & Lyric; Anderson Crowdster++ .... |