#16
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#17
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If only I had known years ago! The diamond files do look very nice. I've never tried them but I don't doubt their quality at all. @OP The other trick to that is making sure the nut is low enough. The files bind way more easily when your nut is simply too high. For wound strings, I have about 1/2 to 2/3 of the string sticking out above the top of the slot. You really don't need much to hold them in place, even with heavy string bending, which isn't usually much of a factor on wound strings anyway, and is virtually never an issue on acoustic guitars. They also are much less prone to "pinging" as you tune up when the nut height surrounding the string is as little as possible. https://youtu.be/ZjuC2NpXB9U I posted that video in another thread recently; just finished that video on cutting 12 string nuts, though I include a demo of how I do 6 string nuts as well, which is basically exactly the same way. I did nuts by eye, and also a few times with a string spacing rule, for a very long time before coming up with this method, and I made it to share with people like you who are getting into cutting their own nuts or are already very experienced but are curious about novel methods/techniques. 2:42 is where my method for 6 string nuts begins. The Music Nomad files should work great. Remember the wax trick if they start to bind at all. Wet sanding the slots with sharply folded fine grit sandpaper can also help with minor string binding issues after cutting a slot. Keep us updated! |
#18
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I've done it numerous times and the two primary points to pay attention to are making sure that you're only lowering by as much as the lowest strings will allow, and moving the nut rather than the abrasive, in order to keep a perfectly flat bottom on the nut.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#19
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One day I was talking to an old boy, ‘butter’ he said! The tiniest, most invisible spot of grease, rubbed along the shaft makes them good as new. I smiled for the rest of the day learning that. Same applies to a silicon filler guns! |
#20
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related question......
if you are having that "string ping-jump" issue when tuning, is it ok to take the file and just go back and forth a tiny bit to smooth it out?
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#21
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A thought
Dunno about that technique. I've found on my own stuff that avoiding a sharp edge where the string exits the slot on its way to the tuner seems to help.
I think that's a good description of what happens. |
#22
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How exactly do you do that?
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#23
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Usually lubricating the slot will alleviate “string ping-jump”.
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Carl ____________ Gibson Songwriter Deluxe Larivee OM-40 Guild D-125 12 NAT Yamaha CSF3M TBS USA Stratocaster Gibson les Paul Junior Custom built Thinline Tele |
#24
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Aside from that, make sure the string isn't buried too deeply in the slot. |
#25
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The Grizzly nut files have all of the sizes in the 8-pack. 0.010 thru 0.056 but I’ve sometimes augmented the slot files with needle files. I splurged on the set after ruining several mandolin nuts. In a row! Duh.
X-Acto scratch to get my mark, then lightly begin the notches. Always leave plenty of nut to file it all off and start again. People act like nuts are easy but I think they are some of the hardest parts to do really well. |
#26
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Philadelphia Luthiers, get the sizes you want here:
https://www.philadelphialuthiertools.com/nut-files/
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1980 Guild D25 1982 Guild D46 BLD 1996 Martin DM 1998 Guild F4ce 2005 Guild D55 |
#27
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#28
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Over the past 42 years I've heard that comment from "luthiers", shop owners, and technicians who perform average-to-substandard work, jobs that are "O.K." to some who are not too particular.
Most recently from Pat DiBurro of Exeter N.H., who got his start making a nut for a 5-string bass. From a phone conversation: Funny thing about the fretted instrument trade. Nuts and saddles are considered to be something any repair technician can do. Nuts are really challenging. What Pat was saying is that the assumption is that anyone can do a nut. It took me three tries to get this nut almost right on the pictured 2012 Michael Kelly mandolin; factory ABS nut is sitting atop for comparison: And here's the nut Pat put on my 2003 Collings MT2: Seriously, not trying to redirect you from AGF [I stopped writing regularly], but here's the whole AmericanToolbox article on Pat: https://americantoolbox.com/2021/03/02/pat-diburro/ |
#29
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| 1968 Martin D-28 | 1949 Gibson J-45 | 1955 Gibson LG-2 | Santa Cruz 000 Cocobolo / Italian Spruce | Martin D-18 1939 Authentic Aged | Martin Gruhn Guitars Custom D-21 Adi/Madi | Gibson J-45 | Fender American Elite Telecaster | Fender American Standard Stratocaster | Gibson Les Paul Standard | Gibson Les Paul Studio | PRS Custom 24 10-Top | Gibson Les Paul 1960 Reissue (R0) | |