#16
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Slope D: Upper bout - 11 3/8" Lower bout - 15 3/16" Waist - 10.25" Depth - 4 7/8" Larrivee 000: Upper bout - 11.125 Lower bout 15.374" Waist 9.375" Depth 4.5" The minor differences in the dimensions has left me scratching my head. The Bourgeois feels noticeably larger in the hand, but is just modestly so on paper. I think I have to spend a bit of time holding each of them with my eyes closed to get a sens of why the numbers do not translate to the feeling. Appreciate all the responses. David |
#17
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#18
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Cheers. David |
#19
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I went through a similar search recently and ended up with a Santa Cruz OM/PW. It’s the most ‘dreadnought sounding’ OM I have ever played. It’s loud and has plenty of bass, and handles a pick quite well. I highly recommend checking one out if you can.
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| 1968 Martin D-28 | 1949 Gibson J-45 | 1955 Gibson LG-2 | Santa Cruz 000 Cocobolo / Italian Spruce | Martin D-18 1939 Authentic Aged | Martin Gruhn Guitars Custom D-21 Adi/Madi | Gibson J-45 | Fender American Elite Telecaster | Fender American Standard Stratocaster | Gibson Les Paul Standard | Gibson Les Paul Studio | PRS Custom 24 10-Top | Gibson Les Paul 1960 Reissue (R0) | |
#20
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Since you already like Larrivees, you might want to try one of their L-series. They really aren't much smaller than a dread, but are far more comfy to hold & play, and sacrifice very little in terms of physical volume of the body.
They're pretty much JCL's signature body style, for very good reason.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass |
#21
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It sounds like the demo’d guitar is a 0015SM. But title says 00015SM
It sure sounds sweet. |
#22
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Wilborn Arum
My new Arum built by Ben Wilborn certainly punches much higher than its weight class and has amazing bass projection and presence.
You can check it out here played by Ben himself... Good luck with your quest!
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#23
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I think it's hard to beat a rosewood OM for big sound smaller body. The long scale gives it more projection and authority, the rosewood give it complexity of sound. And they are very comfortable.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#24
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+1 on the Goodall Parlor!
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-------------------------------------------------- Finger OMC3 Lâg Pierre Bensusan (for sale) Composite Acoustics GX Aura Takamine TAN77 -------------------------------------------------- |
#25
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Another vote for the rosewood OM, specifically Martin or similarly voiced (deep bass) - it may take time to cultivate its sweet spots, but I have learned not to go with any soundbox deeper than 4 1/8” at the endpin as the Martin 000 provides clarity, colour, and immediacy with no boom. I’ve found the OM so big in sound after becoming sensitized to it, that next time I’ll be going for a 00-28 or 21, 14 fret.
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#26
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OP here. Thank you one and all for the suggestions. Homework ahead.
David |
#27
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I'm fairly certain it's a 000 even though the player identifies it as a 00......
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#28
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When I want that big sound (from my player's perspective) I go to my '96 Larrivee OM-09 12-fret. My '89 Taylor 810 dread is loud and has more than ample bass, but since I've gone to a smaller body guitar it's less appealing to me (and I played it almost exclusively for many years). IMHO, OM, OOO, and Rosewood B&S should give you what you seem to be seeking. My Larrivee OM-40W does not feel as "big sound" to ME (as the player), but when I plug it in (facing the amp) (and played low volume) I notice a much bigger sound being projected than I perceive as the player. As has been mentioned in other posts, it matters if you're assessing "sound" from a player vs. audience perspective. Some GREAT guitar suggestions have been offered in this thread (and you already have a couple of great ones)! Cheers!
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#29
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Quote:
https://youtu.be/tFVcpYXWMWM https://youtu.be/hV-3me2PBOs Also, the deep body version of the Collings OM2H would be a good choice.
__________________
Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#30
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1. 12-fret body
2. Long/standard scale 3. Possibly consider 1/4-1/2" deeper body These things all make a bigger, louder, fuller, more awesome (subjective, I realize) sounding guitar. Especially can't emphasize those first two enough. |