#16
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Quote:
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"Lift your head and smile at trouble. You'll find happiness someday." |
#17
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I am glad I saw this thread as I didn’t realize the video included a pickup comparison. I don’t want to take away from the point of this thread but I was quite impressed with the Anthem and more surprisingly, the K&K. Both sounded nice and full.
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#18
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Quote:
As for the K&K and Antem sounding good... The only problem is, that is what the pickups sound like plugged in to a recording interface with no speakers around. Not really a great test. Put those same two pickups on a stage up at volume and that is not what they sound like, every time I got my Anthems at high stage levels I had to take most all of the microphone out of the mix, and with K&Ks I always had to deal with at least two problematic mids. Whereas the Amulet sounds better to me live than it does plugged into my interface, where frankly, I don't think it sounds that great. The only time I ever liked my Anthem systems was low volume stuff, and recording direct. Not that I would ever do a serous recording that way, but I had to try it out I was actually pretty impressed on how the Anthem recorded. |
#19
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So what would you set it to for the Dazzos?
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_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#20
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Quote:
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Please SUBSCRIBE to my YouTube channel |
#21
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The Anthem definitely sounds better at lower volumes. That’s not to say that it doesn’t sound good loud as well, I just find that there’s a mid range that comes though that’s hard to dial out. That’s why I found the SL version so difficult to work with. The tru mic was always too loud and it made for an odd tone. I know that recently the K&K has lost some fans here, but it definitely has the thickest sound of the pickups in that comparison. I think the reason I am considering it is because my Taylor would benefit from a warmer sounding system and with preamps like the Voiceprint out, I feel like I could really make that system shine. |
#22
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5M according to Sunnaudio.
__________________
"Lift your head and smile at trouble. You'll find happiness someday." |
#23
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Quote:
If you like turning knobs and fiddling with EQ settings, this isn't the preamp for you. If you like playing music with great plugged in tone and minimal fuss, this is the one we've been waiting for...
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2019 Gibson Hummingbird Standard 2023 Epiphone Riviera |
#24
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The DI-2 Prestine looks and sounds a great Pre-amp/DI, and I was about to pull the trigger until I realised that the position of the input and balanced XLR output connections make it quite pedal-board unfriendly. The input on the right side I could cope with, the the XLR output on the left side won’t work with my PedalTrain Mini board - it needs to be on the ‘top’ side so that the cable to the mixer goes away at 90-deg to the board.
That was quite a blow!
__________________
John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#25
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Quote:
__________________
"Lift your head and smile at trouble. You'll find happiness someday." |
#26
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Ha! That did occur to me, but I’m 74-year-old guy, not as muscular as I was in my rowing and soccer-playing days, and I’m after less bulk and weight to tote around, not more!
__________________
John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#27
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Quote:
https://www.sweetwater.com/store/det...B&gclsrc=aw.ds |
#28
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It does look like a cool preamp! If I didn't have the Felix already, I would be tempted!
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#29
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Quote:
1) the female end is the one which needs to be Right-Angled. 2) I often have to use the venue’s or PA-guy’s cables so it’s out of my control.
__________________
John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#30
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I use switchcraft low profile XLR (other brands include Cable Techniques or Ambient)
They make both male and female.
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ Last edited by Cuki79; 06-10-2021 at 01:13 PM. |