#1
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I need help with amplication (pickups/DI/amp)
Hi,
So I have had a cordoba GK studio for a year. I like the sound of it unplugged, however, when plugged in (my Fishman Loudbox Mini amp through Fishman Presys 301 blend pickup) It needs tons of EQing, and I still cant fight off some unpleasant frequencies, Especially at higher volumes. It seems like it doesnt represent at all the sound of the live guitar Something else that has been happening is unbalanced bass tones. Some are bassier than others, which sometimes dont have any "bass". But that could be related to the room ? Anyways, I was wondering what the hell do I need to do or buy? A new pick up system? A DI box maybe? Or should I just get a new guitar? If a new pickup is what can help , which ones would you recommend ? I head the Anthem SL-C may be a good option, as it has both a mic and undersaddle thing. If a DI can help , which one? What would you say about the LR Baggs Venue? Or one of the fishman products? I would love some direction, because my amplified guitar tone is very important to me ! |
#2
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Do individual strings sound radically different to each other?
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#3
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I have a GK, it came with the PreSys/Sonitone system. Sounds great acoustically, but horrible plugged in.
You can check string-to-string balance, plug it into a good clean amp, preferably using headphones. The Sonitone pickup is pretty compliant, and doesn't usually give string to string issues, but I'd listen carefully for that. Try each open string in turn, then do the same at higher positions. If it's a string balance issue, the string will be weaker (or stronger) no matter where fretted. Since you say you care about your amplified tone, you might want to look at the latest generation of IR based preamps. There are several choices, some better than others.
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#4
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v2 sounds even better
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#5
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The D string sounds much different when open, as in no presence and bass at all. (Only when open and until the E note. And certainstring are much bassier than others, where unlugged , these problems dont occur. |
#6
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When plugged , the open D string sounds weaker always , until I blend the mic a bit. But then the total tone suffers from that terrible mic 😂 I cant test with headphones unfortunately , because my amp doesnt have that option.. Maybe I should test it in the open space where there are no walls to bounce of frequencies? Also, What does it mean if I have a string difference? Im glad to know im not the only one who suffered from that pickup's tone.. I have done some research , and saw there's a DI fishman aura spectrum, that is dedicated for UST pickups kills the quackiness. Maybe the lr baggs venue can also do the job. But if a pickup is problematic, maybe its better to just replace it with one that isnt UST. Not sure what the lr baggs anthem is. Is it also UST? |
#7
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#8
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And after some intense research, I am leaning towards the ToneDexter! Do you think that using the TD will overide that pickup problem? As the sound that will be produced is based on the mic'd guitar, which sounds balanced and well. |
#9
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If the signal is lower on a string, ToneDexter just sees a lower signal. It can't ascertain if your pickup is defective or if you played softer. You need to fix the issue with your piezo before you can get the most from ToneDexter.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#10
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I agree. Don’t follow my advice, I did not understand you had a faulty pickup install from reading your first post
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#11
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#12
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I agree with James. where it seems to be one string, this is definitely a possibility. I had to spend quite a bit of time, (and some money) on getting this addressed on my Taylor 514NY. It is still not "100% perfect" but it's much better than it was out of the box. a temporary fix is accomplished with a small shim under the quieter strings. Shielding tape, (the kind you can get from Stew Mac and is used for shielding electric guitars) works for this.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) Last edited by rmp; 06-14-2021 at 06:12 AM. |
#13
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I had ongoing issues with the B string being louder than all the others.
Most of my electro/acoustic unbalanced issues are addressed by one of two pre-amps, the Baggs Paracoustic DI, or the Behringer Acoustic DI. The Baggs Unit comes closer to an acoustic sound.
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http://www.youtube.com/user/studio249 |
#14
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Will the tonedexter work with my mic/UST blend? Or is it best advised to use only the UST when training it? Because if I can put a bit of mic blend on my pickup during the training, it can help adress this issue. |
#15
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Maybe I can still try what you said. What do you mean by "a small shim under the quieter strings"? How does that work? |