The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #16  
Old 12-08-2019, 08:47 AM
The Bard Rocks The Bard Rocks is offline
Registered User
 
Join Date: May 2009
Location: Mohawk Valley
Posts: 8,758
Default

What makes them different today? In a word, "cachet". Deserved cachet.
__________________
The Bard Rocks

Fay OM Sinker Redwood/Tiger Myrtle
Sexauer L00 Adk/Magnolia For Sale
Hatcher Jumbo Bearclaw/"Bacon" Padauk
Goodall Jumbo POC/flamed Mahogany
Appollonio 12 POC/Myrtle
MJ Franks Resonator, all Australian Blackwood
Blackbird "Lucky 13" - carbon fiber
'31 National Duolian
+ many other stringed instruments.
Reply With Quote
  #17  
Old 12-08-2019, 08:52 AM
RalphH RalphH is offline
Registered User
 
Join Date: Oct 2019
Location: Canterbury, UK
Posts: 1,285
Default

I don't see Martin as superior to either Gibson or Taylor, just different -- for some people it's exactly what they want, for others its not what they want.

Martin made a lot of early innovations but you could argue that all they've done for a long time is live on past glories, though I think that would be a very unfair statement; there is a lot of "if it ain't broken, don't fix it" about the Martin guitar designs and like sharks, that have been about the same for 100 million years, they just don't really need to evolve further - just like Gibson doesn't need to keep fiddling with the Les Paul (not that it stops them).

Lets not forget though that the other big names have innovated too - the adjustable truss rod in every modern Martin is a Gibson invention and Taylor have modern innovations like the NT neck and V bracing.

I'm glad you like your new guitar, but I wouldn't swap my Gibson or Taylor for the equivalent Martins; I've bought what I felt was best for me and Martin are the one of the 'big three' that I've not felt the need to own. I could have had a Martin HD-28E and a good amp for less money than my Hummingbird so this is not just a case of "I can't afford it so I don't like it" jeleousy.

Other people seem to get amazing results out of them, but whenever I've played one, it's just not been the right instrument for me.
__________________
Gibson Customshop Hummingbird (Review)

Last edited by RalphH; 12-08-2019 at 09:47 AM.
Reply With Quote
  #18  
Old 12-08-2019, 08:59 AM
scotly50 scotly50 is offline
Registered User
 
Join Date: Oct 2017
Posts: 75
Default

It's amazing that Martin can manufacture so many different models and produce such consistency on such a large scale.
Reply With Quote
  #19  
Old 12-08-2019, 09:10 AM
charles Tauber charles Tauber is offline
Registered User
 
Join Date: Feb 2011
Posts: 8,381
Default

Quote:
Originally Posted by scotly50 View Post
It's amazing that Martin can manufacture so many different models and produce such consistency on such a large scale.
More amazing than any other factory production of consumer goods, be it cars, tennis rackets or watches?

Like any large manufacturer of consumer goods, Martin has their share of quality issues that escape the factory. One example is new guitars that leave the factory needing neck resets. An important issue is how well they deal with the escaped defects that reach the customer: warranty claims. I think they are less stellar on that.
Reply With Quote
  #20  
Old 12-08-2019, 09:15 AM
RalphH RalphH is offline
Registered User
 
Join Date: Oct 2019
Location: Canterbury, UK
Posts: 1,285
Default

Quote:
Originally Posted by scotly50 View Post
It's amazing that Martin can manufacture so many different models and produce such consistency on such a large scale.
Mass production tends to improve consistency, not make it harder...
__________________
Gibson Customshop Hummingbird (Review)
Reply With Quote
  #21  
Old 12-08-2019, 09:18 AM
TBman's Avatar
TBman TBman is online now
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,963
Default

I have several guitars all by different manufacturers. I don't see anything that makes Martin more "unique" than the manufacturers of my other guitars.

I wouldn't say the OP is a "troll" question, but more of a product promo which is either a paid one or just thread started by a happy and satisfied owner.
__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #22  
Old 12-08-2019, 09:20 AM
RalphH RalphH is offline
Registered User
 
Join Date: Oct 2019
Location: Canterbury, UK
Posts: 1,285
Default

I would say an excited owner feeling the need to share their love of their new guitar which is head and shoulders better than their previous one. I felt like it when stepping up to a Taylor, and again stepping up to my Gibson.
__________________
Gibson Customshop Hummingbird (Review)
Reply With Quote
  #23  
Old 12-08-2019, 09:24 AM
MC5C MC5C is offline
Registered User
 
Join Date: Mar 2016
Location: Tatamagouche Nova Scotia
Posts: 1,136
Default

I think it's funny when I read threads about how good Martin guitars are, or what makes them different or superior. I have never played a Martin guitar I liked, except for a 1960's O-15 NY I played once in a shop in New Orleans. I don't like the D series at all. It's probably just me...
__________________
Brian Evans
Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia.
Reply With Quote
  #24  
Old 12-08-2019, 09:25 AM
scotly50 scotly50 is offline
Registered User
 
Join Date: Oct 2017
Posts: 75
Default

Quote:
Originally Posted by charles Tauber View Post
More amazing than any other factory production of consumer goods, be it cars, tennis rackets or watches?

Like any large manufacturer of consumer goods, Martin has their share of quality issues that escape the factory. One example is new guitars that leave the factory needing neck resets. An important issue is how well they deal with the escaped defects that reach the customer: warranty claims. I think they are less stellar on that.
Maybe just doesn't have much experience with those issues.
Reply With Quote
  #25  
Old 12-08-2019, 09:27 AM
TBman's Avatar
TBman TBman is online now
Get off my lawn kid
 
Join Date: Jul 2005
Location: New Jersey
Posts: 35,963
Default

Quote:
Originally Posted by RalphH View Post
I would say an excited owner feeling the need to share their love of their new guitar which is head and shoulders better than their previous one. I felt like it when stepping up to a Taylor, and again stepping up to my Gibson.
I was like that when I got my Avalon. Totally blew me off my chair. Its a great feeling when you get a new guitar and it exceeds your expectations
__________________
Barry

My SoundCloud page

Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW

Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional

Alvarez AP66SB, Seagull Folk


Aria {Johann Logy}:
Reply With Quote
  #26  
Old 12-08-2019, 09:28 AM
Silly Moustache Silly Moustache is offline
Charter Member
 
Join Date: Apr 2006
Location: The Isle of Albion
Posts: 22,154
Default

Argh! Just spent about 20 minutes answering this to be interrupted by Nanny Jane and lost it all!
Start again :

I'm British. We take Heritage VERY seriously.
There is only one European brand that I think had a simiolr heritage to Martin -Levin in Sweden.

Strated about a similr time, and developed great instruments - unlike most other European makers - they weren't so impacted by the world wars, so had the same/similar continuity as Martin until Martin bought them out and killed off the company in the '70s (Very Bad Thing!)

Levin could and did make instruments as good as Martin.

However, Martin developed designs in the first 30 odd years of the 20th C that most found impossible to improve upon, and so copied.
When guitars changed from fingerstyle instruments to rhythm instruments , Gibson had the advantage with their archtops, but Martin changed their designs for rhythm designs which caught on in the folk scene.

When I got into guitar in the earlyish '60s, Martin was the ultimate destination but very expensive and few and far between. You just didn't see them hang up in the local music shop.

I worked y way up from Harmony, Gibson, Hofner, Epiphone, Guild etc., and finally in the early/mid '70s achieved a Martin - dunno if it was a D18 or D28 - didn't know the difference for some time.
I bought the ones with issues - that's what people sold back then and no-one that I knew was resetting necks.

In 1975, a frind bought a d35 that I knew as it had been the proerty of a fiddle playing in a band I'd worked with. I'd recently bought my fist ever NEW D28. I swapped it for the D35 with a broken9repaired) neck. Kept it for 20 years.

Why do old guys like me love Martins? Well they do mostly soud good - and they were on the front of all those LP covers of American acts that we loved.

Can Martin still make a good instrument ? Yes of course.
Can other makers make then as good or even better ? Yes of course.

In the 19th and first 30ish years of the 20th, Martin developed designs (strutting methods, body shapes that were ideal).

No-one could better them, so they copied them.
In the late '20 early '30s guitars largely changed purpose. They became rhythm instruments.
gibson had the edge with archtops, and Martin could not equal their archtops - simply got it wrong with flat back archtops.

They changed the recently introduced dreadnoughts and the 000 body designs into rhythm instruments with longer thinner necks. They kinda caught on, not for the dance bands but for the folk people.

These are their "bread and butter" offerings and what they rely on, even to the point of now dis-continuing their pre 1931 designs.

Can Martin still make a good instrument ? Of course.
Can others make them a well or even better - Of course.
__________________
Silly Moustache,
Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer.
I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom!
Reply With Quote
  #27  
Old 12-08-2019, 09:40 AM
TJE" TJE" is offline
Guest
 
Join Date: Apr 2017
Location: 4 miles from Abbey Road, 5 miles from Page's Gibson(maybe), 120 miles from the Richards's mansion(I think)
Posts: 401
Default

Quote:
Originally Posted by TBman View Post
I have several guitars all by different manufacturers. I don't see anything that makes Martin more "unique" than the manufacturers of my other guitars.

I wouldn't say the OP is a "troll" question, but more of a product promo which is either a paid one or just thread started by a happy and satisfied owner.
I did not realise I could get Martin Co to pay me to write posts, sounds like a good gig, but I think I might get rumbled eventually.

Nor would I say 'very satisfied' - just not short changed. In comparison with other similar priced brands I have tried like Guild or Avalon i would class the Martin D16GT as 'competent', but not superior.

But a couple of years ago, I think like many people starting out, without knowing much about acoustics, I automatically thought 'Martin'. and it is interesting to see people's opinions on whether or not this brand power is justified.
Reply With Quote
  #28  
Old 12-08-2019, 09:47 AM
jp2558 jp2558 is offline
Registered User
 
Join Date: Jun 2011
Location: The Glass City
Posts: 1,184
Default

They set the standard for all that follow.
__________________
Pura Vida

2011 Martin M-36
2016 Martin GPC-35E
2016 Martin D12X1 Custom Centennial
1992 Takamine EF-341C, great for campfires

85 Gibson Les Paul Custom
82 Gibson SG
96 Fender Clapton Stratocaster
91 Fender Deluxe Telecaster Plus
86 Fender MIJ E-series Stratocaster
Reply With Quote
  #29  
Old 12-08-2019, 09:53 AM
foxo foxo is offline
Registered User
 
Join Date: Apr 2018
Location: Scotland
Posts: 1,968
Default

People always go on about "the Martin sound". As a Martin owner I'm not sure such a thing legitimately exists but certainly more than happy with the sound of my guitar.
__________________
Martin 000-15m with Baggs Anthem SL
My latest album: Repentance

Reply With Quote
  #30  
Old 12-08-2019, 09:57 AM
Mr. Paul's Avatar
Mr. Paul Mr. Paul is offline
Charter Member
 
Join Date: Feb 2016
Location: in the shadow of Humboldt Peak
Posts: 4,019
Default

A family run business for 180+ years, that's a start.

Guitars that have been front and center in the entertainment business for decades.

Guitars that have inspired luthiers for decades.

... and an Authentic line that shows they still have "it."
__________________

Goodall, Martin, Wingert
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 07:27 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=