#61
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But that drawer has turned into a tone monster! Easily more resonant than the other drawers.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#62
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Part of the Tonerite “controversy” is in having the appropriate expectations. It did wonders for a particularly tight sounding Adi/Rosewood guitar, helping its top to become more responsive and to sound/feel less tight overall. But it didn’t magically make my new guitar sound like a vintage instrument, nor was that the expected result.
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"It's only castles burning." - Neil Young |
#63
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As far as the "opening up" effect that a Tonerite can create, it can vary widly. Wood species all are affected differently by the vibrations. Case in point, my month-after-manufacture 814ceDLX did not open up all that much, but enough to notice a difference. However, my 614ce which was already 6 years old was transformed! But it may be important to note that the 614 underwent 200 hours of the Tonerite before I noticed a huge change. At 72 hours it was just starting to open. At 144 hours it was getting there. At 200 hours it had done what it was going to do. I'm told that maple takes a long time to open up. Perhaps that's why so many people turn their noses up at maple, yet some maple guitars are seriously incredible. I wish I hadn't used the Tonerite. Before I used it I was dead set on selling the 614. I bought my 814ceDLX thinking I would sell the 614. I would have happily done so and even worked out a trade deal with a local shop. I was just waiting for the extra cash to roll in as I had gas for a 818 or SJ-200. In the meantime the Tonerite rolled on... and made it much harder to part with this 614. I still have it and know the moment I sell it I will regret it. I think I would be far less traumatized if I sold my 814. I posted some sound clips the other day. Some of you know what I'm talking about.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#64
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Someone said in another post . If the tonerite truly delivered we would all own one. Like an electronic tuner. When they first came out. I said i'd never own one. Well..... just about everyone i know has several guitar tuners. including me. i know of no one (present company excluded) that has a tone rite.. For as long as theY have been around there has been Controversy as to their functionality. That fact alone steers me clear of them. Leaving an aquarium pump running on my expensive guitar top 24/7 for 200 hrs just seems counterintuitive to me.. But for those it has worked for .. Great!! |
#65
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I have been playing my guitar for 22 years. That should do it.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#66
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#67
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#68
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Kind of my point... Why in the world would you buy a guitar you didn’t like the sound of? |
#69
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That Yairi Factory in Japan, Plays a selection of different genres of music loudly in the building that houses their tonewoods. They rotate between Classical, Rock, Jazz etc. Until the wood is used in production. If Yairi did that, there must be something to it.
Ed
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"Quote The Raven, NEVERMORE !" |
#70
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Thanks for the link to the paper! Seems like a reasonable study and the results are pretty definitive...
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Englemann/Hog OM (Carson Crickmore course custom build), Breedlove Premier Concert (R/W), 1977 S Yairi YD303, Yamaha LJ16, Fender Tele Standard, Furch Little Jane (Cedar), Baby Taylor BT1 |
#71
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Again, I think the wood species has a lot to do with the success one has (or perceives). In my case I borrowed one at first and was so pleased with the success that I bought my own and had further improvement. But that was on a maple 614.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#72
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I am quite happy some folks change their mind, for whatever reason, including how it sounds, and list their guitar for resale. I have acquired several keepers due the changing listening tastes of the seller.
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"the tragedy in life is not what we suffer, it is what we miss" Guitar Experiences-> | Bourgeois | Collings | Cordoba | Larrivee |Martin | Northwood | PRS Electric| Rainsong | Taylor | Voyage Air | |
#73
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"It's only castles burning." - Neil Young |
#74
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Appreciate it, and I’ve read that quote elsewhere. I think there are too many variables to support this as a hard and fast rule. I’ve owned guitars that seem to be maturing on a faster timetable, and others that are working at a much slower pace. Likewise, I’ve had instruments that seem to leap into their next stage, sonically, while others are much more gradual and subtle. Earlier this year, I read a post on the UMGF about a guitar (also Adi top) that was closed up and tight for nine years (!!!) before it suddenly blossomed. I enjoy the variety and how each guitar can be different.
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"It's only castles burning." - Neil Young |
#75
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |