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  #46  
Old 04-22-2021, 12:40 PM
Cuki79 Cuki79 is offline
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Originally Posted by Doug Young View Post

On the specific question of 3 sources vs 2 or 1, I've settled on 2 as being most effective for me in getting a natural sound at modest volumes, ,
Hi Doug,

Did you try 3-way pickups with a 3-way crossover, meaning the UST taking the lows, the SBT the mids and the mic the high end?

Nowadays, it is something easy to try with a digital mixer... I wonder if you did.
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  #47  
Old 04-22-2021, 12:46 PM
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Doug Young Doug Young is offline
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Originally Posted by Cuki79 View Post
Hi Doug,

Did you try 3-way pickups with a 3-way crossover, meaning the UST taking the lows, the SBT the mids and the mic the high end?

Nowadays, it is something easy to try with a digital mixer... I wonder if you did.

I've not tried that with a 3-way setup, but have done it many times with 2 sources, kind of the standard approach, which of course the Anthem (and B-Band before them) made as a built-in feature. That K&K setup that's been mentioned had 3 bands of EQ on each source, and guess I did try that system in all kinds of EQ combinations. Never got a sound out of it that I liked any better than just SBT+mic.
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  #48  
Old 04-22-2021, 03:21 PM
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Methos1979 Methos1979 is offline
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Originally Posted by Mbroady View Post
How would you compare the Cole Clark guitars acoustically, compared to your others. What sacrifices are made in order to have a great plugged in sound. Does it have the volume to take part in a multi-guitar jam unplugged.
I owned three, the Fat Lady (dread), the Angel (GA) and the Little Lady (travel). All sounded fantastic amplified. Acoustically, the Angel was the loudest due to a lighter build and a larger sound hole. The Fat Lady was built like a tank and had the most even across the strings tone. The Little Lady had a smaller sound due to being a small, travel 3/4 size guitar but in that group of guitars it sounded better to me than others.

As far as sacrifices, I'd say that A/B'd to pure acoustic guitars like Martin's of a similar price range you lose some volume. Would a Fat Lady hold up in a group of Martin D-18's? Probably not, but then again what would? Our own Aaron Short now plays my old Fat Lady 2 and it's some of the best sounds I've heard on his weekly shows when he plays the Fat Lady. I don't play in jams with other guitars so I don't know about that.

Last edited by Methos1979; 04-22-2021 at 03:28 PM.
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  #49  
Old 04-22-2021, 09:39 PM
AeroUSA AeroUSA is offline
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I owned three, the Fat Lady (dread), the Angel (GA) and the Little Lady (travel). All sounded fantastic amplified. Acoustically, the Angel was the loudest due to a lighter build and a larger sound hole. The Fat Lady was built like a tank and had the most even across the strings tone. The Little Lady had a smaller sound due to being a small, travel 3/4 size guitar but in that group of guitars it sounded better to me than others.

As far as sacrifices, I'd say that A/B'd to pure acoustic guitars like Martin's of a similar price range you lose some volume. Would a Fat Lady hold up in a group of Martin D-18's? Probably not, but then again what would? Our own Aaron Short now plays my old Fat Lady 2 and it's some of the best sounds I've heard on his weekly shows when he plays the Fat Lady. I don't play in jams with other guitars so I don't know about that.
I am a total convert. The Cole Clark is a great guitar and has a plugged in tone that is second to nothing else. The next acoustic guitar I buy will not have a pickup (unless it comes with one).
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