#1
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Enlarge bridge-pin slots?
My Martin HD-28V has slotted bridge pin holes and un-slotted pins. I'm using strings that have slightly heavier ball-end windings than my previous strings, and one of the bridge pins doesn't fully seat, even though the ball-end is fully seated at the bridge plate.
Is there any reason why I shouldn't slightly enlarge the slot to accommodate this string?
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#2
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I use a 1/16 or sometimes slightly larger drill bit in a rechargeable drill. Move it up and down with very slight pressure (or you’ll break the bit). And use a sharp bit.
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#3
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Why not just use a slotted pin with enough room for the end binding for that string?
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#4
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It's not hard to enlarge the slots in the bridge pin holes to accommodate heavier gauge strings. Last edited by Shuksan; 06-21-2021 at 06:48 PM. |
#5
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I second slotted pins
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Early Ovation classical 2001 Taylor 355 2002 Taylor 308 BB 2004 Taylor 214 2011 Taylor GC4 1964 Fender Stratocaster 1965 Fender Jazz Bass Fender Twin Reverb |
#6
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I see no reason why you cannot enlarge the slot as you mention. I slot my ramps to the the same size. After all it's the ball end that needs to be seated and the ball is the same size on the low E-String as it is on the high.
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#7
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For example, Collings and Bourgeois use slotted bridges and solid pins. SCGC and Goodall use both, slotted bridges with slotted pins. Huss & Dalton and Froggy Bottom on the other hand use slotted pins and slotting their bridges will void the warranty!
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#8
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Quote:
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#9
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If the OP decides to stay with those 'thicker' strings then there's a choice, stay with the odd slotted pin or indeed, widen the existing bridge slot. I know which one I'd do.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#10
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#11
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Then I started researching the issue and found out there is a 3rd option that SC guitar uses. Half-slots on both the pin and bridge. Wouldn't you know it - Richard always does things differently, even if you don't agree with him. Here is what he says: "Efficiency of string energy to sound is determined by the degree of contact and the resonance of the material the string contacts. Assuming the bridge pin material doesn’t absorb energy the connection between string, pin and bridge will determine how well the vibration will transfer from string, to top to ear. Without a slot to encircle the string we’d allow an airspace that would compromise the transfer. Likewise if we only slotted the pin, OR the bridge, the unslotted component would not make total contact. The most complete contact is achieved by slotting each, pin and bridge with half the diameter of the string. If this is done to insure the string is encircled for the whole of its diameter, the most efficient transfer can be achieved." So why does SC use more than 1 method? For originality of vintage guitars and vintage designs, they use what was done originally.
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OM-28 Marquis (2005) Kenny Hill Player (nylon) Gibson AJ (2012) Rogue Resonator (kindling) |
#12
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It probably works just as well as the other methods, however. Can someone please point out the faults in my logic here?
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#13
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Quote:
I don't see an issue with very slightly slotting the pin to accomodate a thicker winding or slightly enlarging the bridge slot. Key word being very slight. You might want to take a closer look at the issue just to be sure, before you modify the guitar (harder to fix and non disposable) or the pin ( easier to fix by disposing and replacing). I also find some of SCGC's claims dubious, it just happens that they build very fine guitars even when operating under those assumptions no matter how accurate they turn out to be. |
#14
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Think about all the airspace around the strings that are tied to a classical guitar tie block... My stars! No wonder they all sound dull and thuddy compared to steel string guitars
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#15
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The slots need to fit the strings closely, but not necessarily for sound. It is critical for preventing bridgeplate wear.
Unslotted pins are superior, for several reasons. |