#31
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Here are a few pedals and brief descriptions of my impressions, that you should take a look at:
Overdrives/Distortions
There are at least a few options for you to look at. Delays/Modulations
There's a shorter list of what kind of pedals I'd call essential to getting your sounds for worship settings. Compressors
Other Essentials
Hopefully, some of those are on your list too... As for guitars.... After a friend owned a couple boutique strats, Suhr and Anderson, that I got to play regularly, I'd say they play wonderfully. Perhaps better than even his custom shop strat, and they certainly look awesome... But still... I wasn't as big of a fan of their pickups as many are. I really enjoy custom shop Fender pickups. They just ooze mojo to me. I really enjoy my Kinman pickups as well, in my American Standard, and definitely like the Lollars my friend has in his K-Line strat. There are an infinite number of pickup options at your disposal, and I'd recommend reading up on some of the ones listed in this thread. For the actual guitar, you really can't go wrong with a Fender custom shop strat, at least in my book, if you go the strat route. Last edited by zb0430; 05-16-2009 at 11:31 PM. |
#32
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WOW MAN - THANK YOU....will look into this and begin to digest.....
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#33
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Keeley compressor
Good point about the Keeley compressor. The 2 and 4 knob versions are identical designs, the only difference being that the 4 knob gives you more control. The 2 extra knobs give you access to trim pots that are inside the 2 knob version's housing. Same design, just more convenient access with the 4 knob version. It's very useful if you want to use the same compressor with multiple instruments (acoustic, electric, bass, whatever)
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#34
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#35
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Quote:
Next I say play different models and with same or simple amp before you commit. Of course keep setup in mind. Make sure you know all the tones the classic Fender and Gibson types make etc.... Make sure you try a Princeton Reverb in your trials and as far as guitars go Tele, Strat, Les Paul, ES-335, and PRS' scale length too. FWIW: My Hollow Body (PRS) and Tele get the most play but I very much enjoy owning a Strat at times. Have fun. |
#36
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I've been following this thread and have been thinking about going the opposite route - from many pedals to one multi effects pedal. So much easier for transport and setup etc. And easier to change patches on the fly than having to bend down and tweak. I play with a group that covers many different songs and styles and have been toying with the idea of one multi function pedal. Any ideas on a basic, good tone pedal? Thanks
David |
#37
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Anyone have any perspectives on Tom Anderson Hollow Drop tops vs. Classics?
I LOVE the PRS Hollowbody. If I get something like that I'll need a Strat like guitar. |
#38
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Dogsnax, where in Louisiana is Melancon based? I'm from the Lafayette/New Iberia area originally. I'd love to check this guy out next time I head down south. Last edited by leftycajun; 05-17-2009 at 07:27 PM. Reason: grammer |
#39
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Yeah - I'm thinking:
- Anderson Hollow Drop Top (or maybe classic version) - PRS Private Stock Hollowbody II or 22/24 w/ Boss DD-20 Fulltone Fulldrive2 MOSFET Fulltone OCD Keeley BD-2 Keeley Compression Keeley Katana or Keeley Time Machine Voodoo Labs Pedal Power 2 Which chorus? Which reverb? Ernie Ball VP (have) Boss TU-2 (have) Which amp?? Perhaps a Carr....I want something mobile that I can take to gig or to church... Also will need a good pedal board that is also portable. Pumaboard? For now, put money considerations aside and just continue to think "best in class" many thanks all! This is fun! Also, please continue to react to the above list as we refine together. Thanks! Last edited by 690MBCOMMANDO; 05-18-2009 at 01:43 PM. |
#40
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I love my fulltone fulldrive 2 mosfet. i also love my Line 6 DL4. I can honestly say anyone that can try one will probably love it as well. Many consider it one of the best of its kind. The keeley compressor is also my favorite compressor. Teese Real McCoy Wah is my favorite wah as well. Another GREAT product is the Roger Linn Adrenalinn III. Just look it up and imagine the worlds of fun you can have with it.
Amp wise I really like the Blues Junior modded out with BillM mods and a Jensen C12N speaker. A lot of people like the Cannibas Rex by Eminence as well. The Vibro King is a great but big amp. If you have too much money to spend, I'd go with a Swart Amp. They make some of THE best sounding amps I've ever heard. Check them out. If you have even more money, go Two Rock amp John mayer has a signature Two Rock that i hear is to die for.
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2009 Bill Nash S-57 2007 Swart Space Tone 6V6SE 1981 Yamaha FG-335II 1979 Yamaha L-5A |
#41
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Melancon Guitars is located in Thibodaux...not too far from your old neck of the woods.
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#42
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Anyone tried a Goodsell Super 17?
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#43
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Oh yes... A wonderful Vox-ish tone from a relatively light, small amp, that's easily portable and plenty loud. It's a beauty, too...
I'd highly recommend that amp. I'd also recommend PedalTrain pedalboards. That Nova Modulator would cover everything from Chorus to Flanger, to phaser, to everything in between. You could also still look at the Analogman Chorus. It's a wonderful chorus with some depth to it, as well. I'd try to find an amp with spring reverb. The real thing beats a pedal, IMHO. You also really need more than 1 drive pedal. The Fulldrive is a great mid-gain pedal. I'd say at least two more, a high gain and a low gain, would be ideal. I think it's important to have at least three well defined gain/crunch tones to fall back on at any moment, with the stomp of a box. I'd recommend the Tim/Timmy or the Keeley BD-2 for low gain, and the BB preamp of the OCD for higher gain. |
#44
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#45
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The beauty of the Fulldrive 2 is the boost. You can kinda "fake" a couple levels of gain with it to get you started. Add pedals as needed later.
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Thomas R. Pullen Partner - Mojo's Music |