#16
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When I was looking for a crossover it was because I wanted the narrower nut width.....48mm vs the standard of 52mm and a radiused fretboard. These two features seem to define the major difference between a crossover and a clasical. I bought a Cordoba C10 Crossover, all solid spruce and rosewood. It is identical to C10 except for the 48mm nut width and radius fret board.
Hope that helps. I really enjoy this instrument. I played a Fusion maple 12 and it was nice as well, laminate back/sides as opposed to solid wood. |
#17
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Quote:
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http://soundcloud.com/jwflamenco |
#18
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You like playing Taylors so I would check out the Taylor series. My 414 and 712 Nylon are my go-to gigging guitars, but there are several series both below and above those.
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-Mike www.montaramusic.com https://www.instagram.com/mikemccall_guitarist/ https://www.facebook.com/Mike-McCall...-250327412419/ A few guitars, a uke, a banjo and a cajon |
#19
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Hi guys, checking back in here again!
Anyone here with opinions on or experience with the Martinez MP14 Crossover? Someone's selling to me for 745 USD brand new. It's got a solid spruce top, Indian rosewood and Cocobolo back/sides, with a Fishman Presys pickup. Never really heard of the brand before but it's got the 48mm nut width and single-cutaway body that I'm looking for. |
#20
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Another vote for Cordoba C10 crossover
After many hours playing every nylon string during several visits to McCabe's guitar shop looking for a nylon to compliment my steel strings, I decided on a Cordoba GK Studio Negra Flamenco model. It's 12 frets to the neck just felt right for a nylon compared to the 14 fret nylon models. And besides, it had a cutaway, a low action and pretty decent sounding electronics.
After a while I wondered if I had made the right decision. While I could muscle the wide, flat fret board, it was less than inspiring as time went on. As it turned out, McCabe's has a pretty decent trade in policy, so long as the guitar is in reasonably good condition. Long story short, I traded up to a C10 Crossover model. The slightly narrower, radiused fret board is a dream. I think the sound is incredible and the solid woods are beautiful to behold. It does not have electronics, but there are a many after market options. (That is a thread in itself) It is a 12 fret without a cutaway. So... I carved out my own Thurmon style, multi-dimensional sound port/cutaway. It gives me all the access to the upper frets I need and has not negatively affected the sound in any way. The only difference I can distinguished is that the guitar is slightly louder than before.
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Goodall Standard Takamine TF77PT (cedar/koa OM steel string) Cordoba C10 Crossover |
#21
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maybe I missed this...the crossover guitars most always have a fret board radius. Going from a 2" nut to a 1 7/8 nut is not that hard to adapt to...add in going from a flat fret board to a radius fret board can effect both hands for a while.
I have an old Ovation classical around here somewhere. I can really feel the difference to my Martin crossover when I first pick it up...it goes away soon enough, though.
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Martin 0-18t tenor guitar Ode model 21 long neck banjo Zach Hoyt 10" baritone banjo/uke LoPrinzi model A baritone uke Kerry Bannister mahogany nui (big baritone) uke Kerry Bannister mahogany baritone uke Harmony baritone uke |