#1
|
|||
|
|||
Improving pinky on fretting hand
I’ve been playing for 1.5 years. The pinky (4th finger) on the fretting hand is an interesting character.
Does better fretting ability (speed, accuracy tone etc)come with experience or are there technique exercises are should try?
__________________
_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#2
|
|||
|
|||
It will want to stick up. Try not to let it.
|
#3
|
||||
|
||||
Quote:
Also of course scale passages. Bunch of exercise suggested in online videos worth some of your time. Finding tunes you like that make good use of the pinky is more fun than exercises though.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 11-20-2021 at 07:46 PM. |
#4
|
|||
|
|||
Good of you to pay attention to this. The longer you play, the harder it is to incorporate the pinky.
Interestingly, while going through some physical therapy for my left hand years ago, I discovered that the pinky finger has more ligaments attached than the third finger. It is quite capable of both fine motor control and repetitive actions. It can be really difficult to start training your pinky, as there is relatively little in general life that requires it. I would start with chord voicing that use four fingers. And be careful not to overdo it at first.
__________________
-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#5
|
||||
|
||||
Back when I cared more I would practice 1 2 3 4 3 2 1 on each string. I should go back to this warmup/exercise. Its very helpful. Don't race, but as you get familiar with it your speed will naturally increase. I would move it up the neck too. Sometimes I would go across the strings first then up, other times up the neck and then down the next string.
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#6
|
|||
|
|||
Quote:
I found a video regarding a very similar exercise. You do 1234 on the low e string and then repeat down to the high e string. You then move down one fret and work your way up, but you move one finger at a time while keeping the rest of the fingers on the previous string. Do this to about the 12 fret and then head back. Since I play both classical and steel string guitar, I’m doing the exercise on both guitars. Just started this today.
__________________
_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#7
|
|||
|
|||
Quote:
I play a lot of finger style and classical where it’s crucial that I develop the pinky. I’ve gotten better as an example I discovered not to long ago I can use the pinky to play the alternate bass such as the C chord and F chord while keeping the triad fingering in place.
__________________
_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#8
|
|||
|
|||
I was watching a video of the folk singer Melanie, who performed at Woodstock, and her pinky was up in the air, it was obvious that she had trouble controlling her pink finger. Made me feel better .. ha ha ha .. now I've got a pair of roller skate, and you have a brand new key.
__________________
Jasper "Thomas of NH" Guitar Playing, learning .. the acoustic guitar. Eastman E8D "the Fox" Taylor 414ce "Baby T" |
#9
|
||||
|
||||
Quote:
I have to get back into doing it once in a while too. I also would do 1 2 3 4 3 2 1, 2 3 4 5 4 3 2, 3 4 5 6 5 4 3, etc up to the 12th and down on a few strings.
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#10
|
|||
|
|||
You want to pay attention to where your thumb is - leverage is important. If your thumb is behind the neck and more or less even with your middle finger, it’s much easier to fret cleanly with your pinky.
|
#11
|
|||
|
|||
This is a good exercise for finger independence and strengthening the pinky:
https://www.thisisclassicalguitar.co...ider-exercise/
__________________
Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#12
|
|||
|
|||
Quote:
My instructor is constantly on me for proper posture and thumb position especially since I also play the classical guitar. I'm getting better but that thumb wants to wander!
__________________
_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#13
|
|||
|
|||
Quote:
__________________
_____________________ Martin HD28 w/Dazzo 60s Martin OM28 w/Dazzos 60s Taylor 562CE Taylor 214CE DLX Amalio Burguet Vanessa Fender Player Stratocaster HSS Plus Timberline T60HGpc Kolaloha KTM-000 with MiSi SunnAudio MS-2 Digital Piano Yamaha P515 Grand Piano Yamaha C3 DPA 4488 |
#14
|
||||
|
||||
Stop drinking tea in porcelain cups with matching saucers.
__________________
Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#15
|
||||
|
||||
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |