#16
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"Basic" set up
I'm concerned that he ramped the bridge without talking wit you first. I would be upset if a tech cut into my bridge without my consent.
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1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#17
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#18
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#19
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I know your feeling exactly. After a few months with my new D-28 I took it back to the shop I bought it from and asked for a set-up and specifically asking for the action to be lowered. This shop had a tech that comes in a few days a week to work on any stuff that the shop gets in. I couldn't talk to the tech himself as he wasn't in at the time. I just expected that s/he would just lower the saddle somewhat and adjust the neck if need be.
Like the OP when i got home I noticed that the tech had slotted my bridge!! i was "shocked". I would have thought like some here have said they would have called me about it before digging into the bridge! I calmed down a bit after playing it and it sounded and played fine. Plus I thought what could I do now anyway? Get them to replace the bridge??...I figured that could end up a mess especially if the shop/tech weren't willingly going to do that. In the end I guess I'm still choked that likely my guitar has been devalued if I ever want to sell it if nothing else?? So I chaulked it up to "live and learn". Any work I now get on any on my guitars even my cheap ones i talk to the tech directly and get clear exactly what they will (or not) do! The shop that I bought my D-28 and did the work has been out of business for a few years...now I know maybe why?
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Martin D-28 Taylor 814 CE |
#20
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Practically, the only way to move the breaking point forward or back is to remove material from the saddle that results in lowering the saddle. How much the saddle is lowered depends on how much the breaking point needs to be moved and on the initial profile of the saddle.
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#21
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I agree that the repair person should not have altered the bridge without first getting approval of the owner. However, many here are coming to conclusions without first knowing the details. For example, depending upon the exact circumstances, ramping the pin holes might be exactly the right thing to do and is not necessarily a sign of technical incompetence.
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#22
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@jfitz81
I agree with the others that he shouldn't have done any work to the bridge without talking to you first. A new guitar shouldn't have had the action so high that a drastic saddle lowering would change the break angle to the point where a "ramping" (I've never heard of that before) would be suggested, at least before a discussion. A new 2017 model should have still been under warranty and again, a discussion would have been appropriate. The other thing is that I think that "break angle" is sometimes over-emphasized. I had one guitar that had a little bellying and needed saddle lowering which removed a lot of break angle, but didn't interfere with the sound or play one bit. I've test "Power Pins" which sit on top of the bridge, reducing break angle to a minimum where it was almost non-existant, and again there was no negative effect that I could determine by reducing the break angle. You didn't say which brand/model guitar you had the work done on. I know a lot of us would be interested to know.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#23
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As for quality of tone however, height of string above the top should allow for lots of breathing room, and that’s where the improvement in performance happens. |
#24
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Depending on the guitar I might pai for a reset before I had the bridge ramped or shaved. |
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#26
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Also I think people are confusing "bridge" and "saddle".
Making adjustment to the saddle would be fine as part of a setup. Saddles are replaceable and sanding down or shimming up the saddle would be part of a normal acoustic setup. And in this case, the customer specifically asked the tech to address the guitar's intonation, which requires that the compensation of the saddle be changed. Making a permanent modification to the BRIDGE, not the saddle, would be upsetting. But asking for a setup AND intonation adjustment implies that the saddle will be modified, perhaps reshaped extensively. |
#27
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#28
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I absolutely agree 100%...
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Best regards, Mike _______________ Martin 00-28 Martin D-18 Cordoba C7 Gretsch Jim Dandy |
#29
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I have been interested in all the responses here. It seems that most agree that the tech/shop should call you before digging into the bridge. In my case as I mentioned previously they slotted my bridge on my new D-28 in combination with lowering the saddle to lower the action as I requested which totally surprised me (slotting the bridge).
In my case I ended up doing nothing about it vis a vis the shop/tech. In my opinion the "damage" so to speak was done. If this happened to you what would you have done or asked the shop/tech to do? I am curious that maybe I should have done something different than "do nothing"? Thanks!
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Martin D-28 Taylor 814 CE |
#30
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