#16
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Finger picking and flat picking are wide open to dynamics, though the former does lend itself to it more. The problem with patterns is they're self-regulating if you let them. They tend to mesmerize a player to churn them instead of explore beyond them. Learning to mix patterns, and even create them for that purpose, can be rewarding as it propels the player into experimenting.
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#17
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A single, or almost single, picking pattern is fine in many cases - what's more of a pattern than your Travis (alternating thumb) fingerstyle songs?
In fact within one tune multiple variation in patterns can be dissociative to the music and listener. You can liven things up with single note runs, tempo pauses, etc..
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#18
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Quote:
During the 23 years that I played the guitar - 1/2 acoustic, 1/2 electric (I'm coming back to it after years of not playing, and luckily I feel like I've recovered my skills), I played mostly as a vehicle to write songs or as an ensemble instrument. I feel like my skills are adequate for singing or for playing in an ensemble, but solo instrumental playing - you really, really have to kick butt to get people's attention, and I don't kick butt ----- yet.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |