#31
|
|||
|
|||
Quote:
They're individually unique organic wooden structures after all, and IMO its always worth tuning around "Chladni style" to see if a guitar comes alive at a point above or below a given concert pitch. That's my theory anyway. I also have a Gurian (1977 J-M), they're very fine guitars
__________________
95 Ditson 56 Gibson LG1 72 Guild D25 77 Gurian JM 78 Yamaha FG375S 79 Guild F512 92 Dobro 33H 96 Guild JF55 00 Fender Tele 01 Gibson Chet Atkins CEC 03 Taylor BB 04 Gibson ES137 05 Washburn Uke 06 Martin DC Aura 06 Gibson LP Std 07 Martin BP 11 Höfner Bs 15 Gibson LP Jr 18 Gibson SJ200 19 Danelectro 12 19 Gretsch G2420T 20 Epiphone Casino I work for Peterson Strobe Tuners |
#32
|
|||
|
|||
I'd tune it and see. A 1/2 step doesn't bother me. I feel like DADGAD warrants a heavier high A and D on my rig with my technique.
|
#33
|
|||
|
|||
I wouldn't go heavier than 13s for a half-step drop, unless you're playing a short-scale guitar. Even then I doubt I would do it. I have had my Taylor go almost perfectly "out of tune" a half step with new strings, and you can't really feel the difference.
I played with a guy in church who always kept his guitar in Eb. He just liked the feel better, and it was easy for him to capo up. We got a lot of stuff in Ab, other odd keys, and it was easier for him than it was for me. |