#16
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That's a me too - for the Bm.
It is the II in an A scale, III for the G scale, and a VI in a D scale. I play mostly in G, A and D! in A & D, I mostly capo at II so the Bm is a some Am shape, but in G it has to be played as a barred minor chord with the root on the fifth string .... or does it? As I'm simply useless with barre chords rooted on the 5th string, (especially since my Dupuytens Contracture started making itself known, I just fret the first four strings. Can't do the A shape barre now either. I used to watch a squirrel in a tree that had both front paws missing. He climbed, held nuts and did all sorts of stuff that squirrels do. That little critter taught me to adapt/adjust to do what you can. ============= edit: OK, I confess I never saw that squirrel play a Bm tho' ===============
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! Last edited by Silly Moustache; 10-04-2019 at 11:37 AM. |
#17
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E X A X D 4 G 4 B 3 e 2 or E X A 2 D 4 G 4 B 3 e X |
#18
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#19
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Thanks for all of the suggestions. I was more interested in knowing if I was alone in this problem - good to not there are others with this, or similar problems.
To respond to a few: I've thought about just playing the Am two frets up as a triad, but that's un-natural enough feeling that I figure I should just keep trying to do it "right" because either will probably take a while. I don't want to relearn the Am without my pointer finger because using the pointer finger makes it natural and quick and easy to get to the C, the Am7, up to the E, D7, etc. Seems like there are lot's of chords with that B string first fret in play. I have electrics - I've played more electric than acoustic over the years, although the balance seems to be tipping toward acoustic lately. And I can easily play the Bm barre chord a couple of ways in a couple of places when I'm playing a song that's all or mostly all barre chords. But I have trouble jumping from cowboy chords directly to most barre chords in the middle of a song that's mostly cowboy chords. The exceptions, as mentioned above, are the B and F#m, so it would seem like I SHOULD be able to get to Bm quickly also, but NOOOOO. As for thinking of the Bm as the F slid over, it's pretty true, but playing that B string one fret higher changes the shape just enough to give me fits evidently. I've tried various ways of getting into and out of it, but I'm stubborn and I feel like I really should be able to just do this. And occasionally I feel like I'm there, but the feeling always passes! Thanks for all the suggestions. Maybe soon someone will come up with something I haven't tried. But I appreciate the commiseration anyway! -Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#20
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When I first got back into it, the first thing I had to get right was the bar chords. It took all this time, but I've recently started to notice better proficiency with bar chords. I'm still not perfect at slapping on the bar chords but I think I'm proficient enough at it now. However, similar to you, I have my own area frustration which after 3 years of playing, I find it perplexing and has me wondering if there is something not right about my technique... And that is the alternate bass picking. For example when playing the G chord, you can alternate bass picking between G and D. When playing the A chord, you can alternate bass picking between A and E, and so on for other chords. Whenever I play songs that have alternate bass picking (and I play a lot of songs that have alternate bass picking, so I should be better at that by now) I always have few places where I miss the correct bass string, and that's been my ongoing frustration. |
#21
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Get Chord Chemistry.
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rubber Chicken Plastic lobster Jiminy Cricket. |
#22
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After you get something stuck in your muscle memory it's hard to re-learn another form. When I first starting playing 55 years ago I realized that playing an Am with my index finger was going to be easier for me, but NOT using the index finger was going to speed my progress for going up the neck. Somewhere along the line I developed to use both forms interchangably depending on if I needed to use my index finger to barr or needed my little finger to incorporate melody notes from the Am position. |
#23
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Funny, when I saw the title for this thread, I thought maybe you were tripping over electric cords on stage. I'm still having problems with that maneuver.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#24
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How a person strums or picks the guitar can have a bearing on the chord shapes one may use. Since I have fretting hand issues I play a Bm chord as such.
E x A x D 4 G 4 B 3 e x
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#25
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-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#26
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Practice with this song: https://tabs.ultimate-guitar.com/tab...-chords-671460 |
#27
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#28
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Quote:
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#29
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What part of it do you have troubles with? Automatic and easy formation or getting the chord to ring clearly once formed?
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#30
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My two nemesis' are B7 on the first fret and the D9 shape.
I play a lot in D and A so Bm is something I don't struggle with at all.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |