#46
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Who knows? The dispersion of most speakers is wide enough for average venues if the speaker is fired directly at the center of the room from the center of the back of the stage. It also eliminates the need for monitors. We've jacked ours up (on a metal tripod stand) till the bottom of the cabinet is about 6-8 feet off the ground directly behind us for years and it works great. |
#47
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When you put it up that high, do you angle it downwards towards the audience?
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#48
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High and behind means no floor monitors. No floor monitor means not directing sound at your ears with your guitar in the way. And that means your guitar's SBT is not going into feedback generally ever. I also believe you should leave some corners of every venue relatively quiet for the people who did not come to hear music...
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#49
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Late to this thread but I find the 8.2s and 12.2s to be pretty unbeatable for acoustic gigs. There's a few other guys in my area who gig with them and when I hear them I'm impressed with the clarity as well.
I personally have never gigged with 10.2s, and sometimes regret not getting them instead of 8.2s, but I got the KS112 sub for when I need extra thump with my 8.2s and after two years I still grin a little during sound checks. The plus side to the 8.2's vs the 10.2 is that you can put them beside you or slight behind and hear yourself great, whereas the 12.2s have a 90 degree projection path so you need monitors with those unless you're outdoors and but them high and behind. The 12.2's are some serious speakers and I barely ever break them out unless for outdoor gigs with a lot of people in attendance. The 8.2s with the sub is my favorite sound, overall, because how they disperse the sound.
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#50
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When I was using a K12 it was just 1 on a pole. Definitely wider dispersion, more headroom, and additional warmth, particularly when playing outdoors.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#51
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Lovely small size and weight, good looking and sounding, but that worried me, so... Who knows, they may have been wonderful, but no internal fan... As for a comment somewhere in the thread that a pair of 10's was beamy sounds like poor placement or gain settings to me. I have wandered around more than a few times to listen as others played through my rig and never struck a serious problem with this unless I was close and straight in front of said 10's. The same could likely be said of almost any speaker or amp. Kris
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Keep it Simple |
#52
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I also have the Roy for larger gigs, but I use an Elite Acoustics D6-8 for small spaces. Like you, I couldn't be happier.
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#53
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With the sub, it is a near perfect solo acoustic PA. I used to use a stompbox, and it was excellent, but rarely use a stompbox now, and if I do, I use my ELX12 or ELX15 powered bins. I sold the subs to fund the ELX15 purchase, and have never regretted it. |
#54
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Why is a sub needed for a solo acoustic gig? Are there low frequencies produced by the guitar or voice that really benefit from the sub?
Also I'm curious why you stopped using a stomp box? I just got one and it adds something for sure, but it can get tiring
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#55
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The EV ZXA1s don't handle a stomp box very well (how I want the stompbox to sound), so I bought a pair of subs. I also do some duo work as a percussionist, so they were great for that. Got sick of dealing with low end feedback from my acoustic and having to EQ all the bottom end out, so stopped using the subs and used my ELX12s for the duo and bigger gigs. I hadn't used the subs for a year, so sold them and bought a pair of ELX15s. I prefer a tighter/punchier bottom end and kick drum/stompbox sound anyway. Nearly every acoustic soloist around my area started using a stompbox, so I decided to stop to be different than the rest. I get my "thump" from my palm on the strings/bridge when I don't use the stompbox. I'm a drummer, so tend to play guitar quite percussively. I still use one for rowdier gigs, or if I know people are going to want to dance. I'll also use a stompbox and foot operated tambourine sometimes to change things up. |
#56
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Hey Noledog I sent you a private message about the Air 10s. Could you please check it out. Thanks.
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |