#31
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I think the setting and type of music you play influences this choice of instrument also. I was in an acoustic blues ensemble class, 2 guitars, bass, harmonica, bottleneck player, and I found it really didn't matter which of my guitars I brought, At home on more intricate compositions, the nuance of each particular guitar really come out. I appreciate the subtle shades a nice guitar offers, glad Im at a point I can indulge.
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'19 Waterloo WL-14X '46 Gibson LG2 '59 Gibson ES125T '95 Collings 0002H '80s Martin M36 |
#32
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Believe me, I have had (and continue to have) GAS.
I think I just have to remind myself sometimes that not only am I very happy with the guitars I have now, but they deliver what my hands and heart want them to. That's really the bottom line with any instrument. Do they sufficiently allow me to express myself in the way that I want to get across, Look, I played a 6,000 Euro Taylor when I was in Paris this summer, and believe me, there was a difference between that guitar and my Sigma. :-) The sound and playability and build were just out of this world....as was the price. lol I certainly didn't intend for folks to start bickering over how much their guitars cost or whatever when I wrote this post this morning. It's all good. Like what you like and if what you play puts a smile on your face or a tear in your eye then that is a good guitar. :-)
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Eastman E8OM Sigma 000M-15S Vintage VE2000GG Gordon Giltrap Signature Ibanez AS93-VLS “I'd woken up early, and I took a long time getting ready to exist.” ― Fernando Pessoa |
#33
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I could not have said it better. Last night when I struck the last chord of The Weight and heard my Blueridge's sustain go on for 9-10 seconds and I still heard the strings mute when I put my hand over them. I shook my head and grinned from ear to ear. So much better than the pawn shop wonders I could afford in years past.
Love the One You're With indeed. Now if someone wants to send me their neglected OM-21 or M-36 my P.O. Box is BR-549.
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Epiphone Masterbilt Hummingbird Epiphone Masterbilt AJ-500RENS Teach us what ways have light, what gifts have worth. Edna St. Vincent Millay |
#34
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Of course people should love their instruments regardless of the name on the headstock or value. My 1976 made in Japan Morris dreadnought is also an inexpensive gem that sounds and plays wonderfully. Very much a vintage v-neck style Martin copy and with a 42 year old solid spruce top and really nice laminate rosewood back and sides. Beautiful abalone inlay around the edge of the top and sound hole and white neck binding. The tuners are cheap but functional. I bought it used at a music consignment shop that specialises in used acoustic guitars, electric guitars and amps. The previous owner must of hardly played it. Sure it has a couple of tiny dings but It's basically a closet classic. No neck angle problems, perfect action, no lifting bridge. It's as if it's only a few years old rather than 42. Even the hard-shell case it came with is in excellent condition.
Unfortunately I don't have a camera but here are pics off the web of the exact same guitar in basically the same condition as mine. Again mine is a keeper that will never leave my possession. With this dread and the Sigma 000M-1ST I don't need anything else. They both do everything I need. |
#35
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#36
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I too get what the OP is saying. Whenever I play my Larrivee P-09 and my Alhambra classical or my Seagull parlor size, I smile. They were all a bit more than $200, but none of them are high-dollar guitars, and I enjoy them anyway. And isn't that what it's all about - that we enjoy playing our guitars? I totally agree, "love the one you're with!"
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#37
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Quote:
In all due respect, in my personal experience that is not quite true. I have played a lot of guitars and own(ed) quite a few. I recently pulled the plug and purchased a high end custom made guitar and the difference is amazing! Backed up by all who have played or listened to it. But I have played expensive guitars and compared to less expensive, and in some cases your comment applies, and some guitars you pay for the name not the instrument. But quality craftsmanship makes a huge difference in my book.
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Maton CS Flatpicker Maton S808 Standard American Tele 1978 Greco LP EG 1000 Yamaha THR10 Vox Pathfinder Vox Adio Air |
#38
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I think it's great that you love your guitar. You have agreed with my philosophy on just about every purchase. We all find a level where spending more just doesn't make sense - and I agree 100% - don't spend more.
I had this explained to me by a sales woman when I was shopping for a diamond for my wife. We A/B'd a few and I could see the improvement in beauty from the cheaper stone to the better one - for a few levels. Then the next two diamonds suddenly looked exactly the same to me. They didn't to the sales woman, but she told me to never pay for quality I couldn't see. I think that applies equally to instruments. Never pay for something you can't here - no matter what name is on the head stock. I also follow this philosophy for purchasing wine, shoes, cars, etc. Enjoy that guitar!
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#39
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I definitely get what the OP is saying ...
And while I am in the process of saving my ducats for a better guitar, the Takamine G330 that I've been bangin' on for 20 some-odd years will always be in my rotation, of this I am certain. There is just no way I could part with it. Not sure if it's "just right" for me or not, because I have little to compare it to, but I know it plays a helluva lot nicer than the dog I traded (plus cash) for it, back in '95 ... |
#40
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I get what the OP is saying as well. I also think we tend to like what we can justify. If all I could afford was a single $300-$500 guitar, and there are many quality ones out there, I would still consider myself blessed.
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