#1
|
|||
|
|||
Martin For Gibson Players - D-18 Reimagined
Let me start by saying that Gibson has been my go-to brand for acoustics. I have been down to one acoustic fo a little while now - a Gibson Southern Jumbo TV. I have been looking to add a second guitar and naturally I have been looking at Hummingbirds and Advanced Jumbos.
I found an AJ that sounded good, but I didn’t like the neck. I found a really nice Hummingbird, but it was a bit hifi sounding and mid-scooped. At one time I had a standard J-45 and J-15, but those were replaced with the Southern Jumbo True Vintage. The SJTV sounds and plays just like a great guitar should, at least to my ears and fingers. I have to admit I was becoming a little discouraged and decided to look outside of the Gibson family for something I may like. Anyway, I somehow wound up playing a 2017 Martin D-18 “Reimagined” and was quite taken with it. The tone is very close to my SJTV. The mids are there, just a little smoother. There is a little more bottom end (not boomy) than my SJTV. The neck, the nut and the string spacing is just right. I can’t believe how good this plain Jane guitar sounds. I will definitely go try a new D-28 just to see what that’s about - should be fun! I have heard it said many times before that the Gibson Advanced Jumbo is the Gibson for Martin folks. I think the reimagined D-18 is the Martin for Gibson folks. |
#2
|
|||
|
|||
I play a Gibson SJ too. My favorite Martin is the D18 Golden Era. I don't think its "like" my SJ, but maybe it has some Gibson mojo to it... whatever it is I do love the Martin D-18 GE and will have one someday. Oh, it has the best neck of any guitar ever! The perfect deep modified-V, better than Gibson's modified-V. IIRC the D18GE modified-V is a bit more U-shaped with the V on the back being a bit more flat, but with steeper sides than the Gibson's modified-V. It fills the hand and still allows you to reach with fingers or the thumb IMHO. Good luck!
__________________
Guitar Fundi Gibson "Custom Late 1950's Reissue Southern Jumbo Triburst" Taylor 314CE (Built by Ren Ferguson) Mystery Resonator Fender Stratocaster |
#3
|
||||
|
||||
I haven’t had the pleasure of playing a SJ. But there was a time when I owned both a J-45 and a reimagined D-18. Played them both daily. To my ear they were very different guitars. Both wonderful in their own way...but I fairly soon sold the D-18 and kept the J-45 as my hog guitar. The D-18 certainly wasn’t the Martin for this Gibson folk.
__________________
Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#4
|
|||
|
|||
Quote:
|
#5
|
||||
|
||||
Martin For Gibson Players - D-18 Reimagined
Quote:
Yep, for me it’s the perfect complimentary duo. I cycled through many guitars from various manufacturers and different sizes before arriving at this perfect pair. I don’t gig. So I don’t really “use” one or the other for specific musical tasks. I just grab the D-41 when I want those lush rosewood overtones. And grab the J-45 when I want that hog warmth and quick decay. [emoji3]
__________________
Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) Last edited by Rev Roy; 09-24-2018 at 05:39 PM. |
#6
|
|||
|
|||
Quote:
I find the "re-imagined" D18 to be a very different sounding guitar depending on the strings I use, sort of a chameleon. The J45 is a J45 no matter what strings are on it. It definitely has a "signature" voice.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#7
|
|||
|
|||
Quote:
|
#8
|
|||
|
|||
I hear what you guys are saying, but my SJTV does not really sound like a J-45 Standard.
|
#9
|
||||
|
||||
My J50, while a standard, sounds exactly like a southern Jumbo tv I sold a few years back. Love them both.
Anyways, I got a D18 last year. God, I love both these guitars. Sitka and mahogany... yep.
__________________
i got tired of updating my guitars. |
#10
|
|||
|
|||
I played a redesigned D-18 a couple of years ago that just blew me away. I should have bought it but I passed. Although the other D-18's I have tried since sound great, nothing compared to that one.The D-18 is a killer guitar though. To me it's got that Martin tone but with a more responsive/Taylor style of projection.
|
#11
|
|||
|
|||
Didn't most of Martin's changes with the re-imagined series put them closer to what Gibson had been doing for some time? The wider nut, the scalloped bracing on all models, and so on.
|
#12
|
|||
|
|||
Quote:
|
#13
|
|||
|
|||
|
#14
|
||||
|
||||
Well, as far as the nut goes...close but no cigar. Martin spread from a standard 1 11/16” to 1 3/4”. A significant jump. Gibson remains in the middle with a 1.725” nut. I swap back and forth between my J-45 and reimagined D-41 and don’t even notice the .025” nut difference... for others, though, it’s a big deal.
__________________
Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#15
|
|||
|
|||
Maybe because it isn't really there... I have five Gibson acoustics, and only one of them is actually a 1.725". I measure them with digital calipers. One of them, my J-35, is pretty much exactly 1.75" and the others are around 1.74" or so.
Anyway, I get your point, but I was just saying that Martin was heading more towards Gibsons than not. |