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#76
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I could care less about string trimming or tuner etiquette ,,,,,but the photo should be a sticky in the Record Forum
Classic studio Tube mic ( looks like a Neumann U47) and room treatment
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/user/KevWind1/videos System : Carbon interface , PT Ultimate 2022.5 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,,128GB 2666MHz DDR4 RAM,,2TB SSD storage,Radeon Pro 5700 XT16GB Monterey 12.4 Last edited by KevWind; 01-29-2022 at 08:21 AM. |
#77
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This tuning fork “A” method, which was all we had back in the day besides a ‘pitch-pipe,’ was recently described by Tony Rice in his biography as his approach, and there’s no argument here. I’ve rediscovered its merits after reading this! Sharpens the ear and sweetens the current chord pattern. It’s great in a quiet place with one person! He also pokes fun, to put it charitably, at those of us who use electronic tuners. But as you said, in a noisy venue an electronic tuner is quite useful. Also, any ‘tune by ear’ method requires an excellent ear for such, and not all musicians qualify. In my first 2 decades playing music it was not easy for me, nor accurate. Any theoretical benefits of using the tuning fork method were overwhelmed by human inaccuracies. Getting a bunch of strings in tune on a band’s various instruments benefits from an objective, non-human standard also. I used to listen to live concert tapes a bit, and I’ve seen a few shows over the years. The biggest musical improvement I’ve heard in live sound, far above line-array speakers and modern PA equipment, happened when electronic tuners took over.
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guitars by Doerr, Skytop, Edwinson, Goodall, Henderson, Kinnaird, Ryan, Pegasus, SCGC, Martin. https://youtu.be/_l6ipf7laSU |