#1
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Just figured out how to properly put on a capo
I really like Kyser capos for their quick trigger convenience
But always found it pulled the low E string sharp Just figured out that if I hold the strings down with my right hand while putting on the capo, this doesn't happen. Only took twenty years of guitar playing to figure it out. Not bragging or anything about this revelation. Just, FYI, I guess, in case anyone else didn't know about this "trick." (aka basic common sense thing that escaped me for some reason) Isolation is producing evolutionary progress! |
#2
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Congrats on the new knowledge and thanks for sharing this tip! Who says you can’t teach an old dog new tricks!
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#3
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My method (I'm sure it is not original to me though) is to put the capo barely behind the fret so that the edge of the capo just almost touches the back edge of the fret. I found that if I put the capo in the middle, between the frets, it pulls the strings all the way down to the fingerboard, stretching the strings and pulling them sharp. I just have to be careful not to have capo over the fret because the stings will be dampened by the capo and not ring clearly.
Last edited by CarlE; 04-15-2020 at 08:30 AM. |
#4
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Quote:
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#5
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huh I guess I must have been absent from school that day they covered capos!!
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#6
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brianmay 04 06 covered this topic and said something similar. I have followed his and your advice recently with similar good results. Still it must depend on the capo type and of course the guitar neck and a few other things. What I don't quite understand is the many pros on You-tube who have the capo well back, near the middle point; I think generally they are using the screw type pro capos. I have a Shubb standard which is fine for my playing. Whatever works individually is the way to go, apply it and check with a tuner to get the right application and repeat each time.
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#7
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#8
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+1 on Thalia. I just got one a month ago. Very happy with it.
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#9
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I think you are right. also they are sometimes on a slant probably for the same reason.
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#10
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Ha! Thanks for that. I don't really use a capo much, but I recently got a G7th Newport Compensated for 12-string that really works well. I'll be trying your trick!
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#11
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Hmmm...that’s just crazy enough to work!
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Jeff 2004 John Osthoff AS-C 1992 Taylor (DCSM)Dan Crary Signature Model |
#12
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I tune the guitar up. I squeeze the capo perpendicularly to the fret board with my fretting hand and then adjust the thumb screw with just enough tension to lock the lever over center (Shubb). This avoids pulling the strings sideways. Then I check tuning again. It's usually pretty close. If relieving lever tension brings it back I'll do that first. If needed, I'll remove the capo, tweak the string in question and then reinstall the capo.
Those spring-loaded capos are single-tension types that typically make the strings go sharp. Tuning while strings are under the capo creates a sawing action across the fret wire and prematurely wears the wire and strings. All capo users should tune, put the capo on, check the tuning, take off the capo to slightly correct the tuning, then reinstall the capo as many times as needed to prevent string/fret wire sawing. A slight tweaking under capo pressure won't put you in the teacher's dunce corner but keeping it to a minimum is the idea. |
#13
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Is there a preferable place for the hinge: low E or high E side?
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#14
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According to Shubb there is no difference, although applying their model from the high side frees up the hand a bit more and seems more natural, and easier to apply.
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#15
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A practical tip, from experience - with a Shubb (and others), if you have the hinge on the high side and your hand slips while you're moving it, the capo will catch on the fingerboard and you won't lose it; if you have the hinge on the down side and your hand slips, the capo will drop to the stage and bounce into the audience, and good luck trying to find it. Just saying.
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John Allen Frink Bourgeois OM CB/HS Collings OM1T, OM1MhVN, OM3MhVN RainSong CH-OM-N2 Santa Cruz OM, H13 |