#16
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80/20 (bronze) were the standard for many years, until the 92/8 (phosphor-bronze) formulation came out (by D'addario) in the '70s, and were largely seen as an improvement in tone and duration. I only use "Bronze (80/20) on one of my 12 strings - an ancient Harmony because it seems more age appropriate for some reason. 80/20s "may" be slightly lower in tension - not sure about that.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
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Sometimes you just have to.
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#18
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To complicate matters further, the neck and headstock also are involved in producing the tone you hear. The entire instrument vibrates, from end to end.
How the neck is made, what woods it is made of, how thick or thin it is, what reinforcement it contains, how heavy or light the tuners are, all have a subtle impact on what you hear when you strum.
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Neal A few nice ones, a few beaters, and a few I should probably sell... |
#20
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I have perceived much greater differences between different brands and types of strings than between uncoated and coated strings. My go-to Elixirs sound just as bright and loud as any uncoated string, at least in my experience.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#21
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 |