#1
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Which pickup system do you prefer?
So many choices, which is your favourite???
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Marco "If want to be happy, be." (L.Tolstoj) |
#2
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Trance Audio Amulet systems and Taylor Expression System 2.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#3
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iSolo sounds the best of all I've tried. I also like the Schertler Mag-6 and S-mic but nothing I've tried sounds as natural as the iSolo.
Sent from my SM-G900P using Tapatalk |
#4
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In a noisy band environment K&K PW with a feedback buster for me. I also love what Miniflex is creating and works great for quiet gigs, but find that I wish they made a hybrid SBT/ Mic configuration.
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Don't chase tone. Make tone. Last edited by steelvibe; 12-31-2016 at 06:47 PM. |
#5
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There should be more pickup systems listed in the poll.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#6
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For my uses, I prefer a SBT and a condenser microphone, followed by an excellent signal chain.
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#7
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OTHERS for me >>I've tried many as a solo working musician & by far have found the MIJ Takamine's palathetic/cooltube combo to be the best working for the type of music I perform.
My second choice is the Baggs M80/Body Rez combo that I equipped my D18 with and it actually sounds the more natural of the two. However, the dynamic versatility & headroom of the Takamine system is greater...and I play music from Bob Marley to Bad Company, thus I need that versatile range that is feedback resistant at high volumes and can keep up with me without quack & with a pleasing tone. eric
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#8
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One of my very favorite Guitars
is my Takamine TF250Sunburst CE with the Cool tube preamp to which I added the Triax mag PuP! Perfect tone. Lovely instrument. But I just ordered a K&K Pure Mini for my Eastman E6om. I have the K&K Meridian mic mount and a 6 inch 300 dollar High end sax clippable condenser mic attached which 'slip's" on to the upper bout on many guitfiddles. Love that KK. Got it in my Martin D-18GE too. (And yes I do blend that sax mic in at times.) Happy New Year!
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Stable: Taylor 816ce (2014) #99 Takamine TF250SMCSB CT+Tri-ax. Taylor W-10 (2001) Takamine FP350SMC Martin DCPA5 Yamaha SBG3000 (1982) Masterbilt Epi DR500MCE, EF500RCCE Breedlove Pursuit Concert Cedar/Hog Martin D-18 GE (2011) SB K&K Pure Cort Custom Shop CE Baden "D" Maple (2006) Tanglewood TW70H, TW1000SRH Cordoba D9E, D11 Monroe Morgan Mch-50 Eastman E60M 2016 SoliDeoGloria |
#9
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I like multisource systems but hate the inadequate cord/jack system. 1/4" is not adequate, and drilling multiple jack holes mars a guitar IMO. I'd like to see a better connector but I have no idea what the market would be willing to adopt.
The Sunrise is a great magnetic, always sounds good if not always particularly acoustic. PUTW/OSS #54 dual SBTs are great sounding but need a good preamp always. Same with the Baggs IBeam passive. Highlander and the DTAR siblings are great-sounding (esp the IP2 with the mic) but the saddle slot changes are not something I like....still, great sound, just plug and play once installed. I remain fond of the old Fishman Prefix* systems with barn doors on the side, at least in less expensive instruments. They do not provide the best representation of acoustic tone, but as long as they have a reasonably fresh battery they're plug and play, and that matters in a lot of small club contexts. |
#10
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Yamaha's ART (transducer) gives a truly natural reproduction of sound without sounding quacky like many undersaddle piezo systems. I truly enjoy using it with my pedal board for vocal loops. I can't believe they discontinued it's use in their newer models.
The Taylor ES2 is most impressive as well.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#11
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JJB Prestige 330. Fantastic pickup @ $50.
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#12
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Depends.
For a loud bar gig, a UST. For a more sedate audience, a K&K. |
#13
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iSolo. You can't beat a wireless mic you can move from guitar to guitar.
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2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's |
#14
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It depends... A Matrix or Element UST for noisy gigs and a microphone for quiet ones.
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#15
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I have used K&K in several guitars for years and like them very much.
That being said, I had Teddy put a Dazzo in my Taylor 910 and it is a notch or two above the K&K I had installed previously. I'm able to get pretty much the same sound from almost any pickup if I fiddle with it long enough. I give the nod here to the Dazzo by a slight margin because it takes less effort to get the sound I like. Can play it with everything set pretty much flat. I also think the installation makes a big difference. Teddy spent a good amount of time installing mine and we A/B tested often against the K&K I had in another guitar. I'm not sure I could have gotten the pickup to sound as good as Teddy did. |