#16
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#17
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#18
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All the other plugin companies I've dealt with are doing both. So, I'm not really making assumptions...just going on the info I have. Of course, all that info is subject to changing corporate policies.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#19
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#20
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As I've already said, I think we're in a transition stage, and if that's true, the full implementation will take years, perhaps even a decade. I leave a little room there for being dead wrong but when companies use phrases like "for the foreseeable future," it does nothing to convince me I'm wrong. In fact, I think using purposefully vague language like that supports my contention. I hope I'm wrong about this but I'm going to keep an eye out for evidence pointing in either direction. Right now, I don't like the direction it's heading.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#21
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I was simply noting that Avid stopped the practice of customers letting their support/update plan laps, and then getting back in 2 or 3 years later (for the same price) as those who kept paying the annual support/update fees all along (which is understandable as a business policy ).
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 07-20-2021 at 06:50 AM. |
#22
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We're definitely in a transition phase. The problem is that we never "owned" software, regardless of the payment terms. We were always buying a license to use a specific iteration of the software. That was always in the EULA that no one ever reads. What is happening is that that reality is becoming a bigger factor in how the software is being "rented" to us. The big driver to timing of companies like Avid & Izotope going to subscription only models will be the big clients. So mostly Hollywood & the TV/movie industry. At one time big studios would have been in that group, but there are so few left. I don't think they have a lot of influence on sales policy anymore.When those big clients are willing to go subscription companies will go full subscription. This is definitely going to be a big issue for the hobbyists and the independents. They aren't likely making enough from the software to justify an ongoing payment to use it. Those that see it as "the cost of doing business" will adjust their cost structure to accommodate it & move on. I also think that will create opportunity for some smaller players to gain a lot of traction with "traditional" software sales. Reaper, MixBus 32, and the like could gain a stringer foothold among those unwilling to enter into subscriptions. The same will be true for plugin companies. Some of the smaller ones will stand to gain a lot of ground if they can fill the void with good plugins that can be bought outright. It will be interesting to see what happens. Wherever there is change like this, there is always opportunity for someone else to come in. The pro audio world may look very different in 5-10 years.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#23
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Depending on what you use it for, Krita instead of Photoshop. Although the type functions are pretty awful. Also Gimp. Powerfull but the interface used to be AWFUL. it's improved but I can't get past the old versions, mentally. For type there is Inkscape (I havent used it though) For Premiere, DaVinci Resolve is free although it can be a bit confusing at first as it's primarily a grading tool but the editor is pretty good. Inside DaVinci there is Fusion which is a basic replacement for After Effects - sort of. Bit more of a learning curve there. There are others - you can look at https://alternativeto.net/ but you'll need to be pretty focused when searching. For a DAW I use Reaper, which is one price, for the current and future versions to a point. But it's cheap enough that I will willingly pay for an upgrade when needed. I haven't needed to pay for a new version in about 5 years.
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#24
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For me, this is more of an issue with plugins than DAW apps, because most of the latter have been on a de facto subscription basis for a long time, given the significant cost of version updates. For instance, MOTU’s Digital Performer, the DAW I know best and use most, charges $200 for new integer versions and comes out with them, on average, about every 2.5 years. So that’s a de facto $80 annual subscription. Factor in the original price of $500 and you’re talking a subscription of around $130 per year over 10 years. Sure, you can refuse to upgrade—and it’s common for people to skip versions — but unless you do a complete system freeze (i.e., never update OS or buy new hardware), this will come back to bite you eventually.
OTOH, most plugins operate on a “buy once, use forever” basis, which is why users like me can afford to pay for more than a few of them at prices ranging from $30 to several hundred $. I have dozens of 3rd-party plugins that I’ve acquired over the years, many of which I use regularly. If those were to suddenly turn from assets to liabilities, it would definitely force me to change the way I work. I’m not looking forward to it.
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