#76
|
|||
|
|||
4 to 6mm. Comfy.
|
#77
|
||||
|
||||
Quote:
my favorites too, by far , the Jim Dunlop 431 R 1.14 Tortex in purple, made in USA! I like 'em so much I bought a 72 pack @ about 30 cents each |
#78
|
|||
|
|||
Quote:
@Charmed Life Picks I have some ultex triangles and they're a decent cheap pick. But the tortex has a more mellow tone on my guitars that I like. The ultex seems brighter and harsher for me. Different strokes etc.
__________________
-Jon |
#79
|
|||
|
|||
Quote:
You see, the harder, thicker pick eliminates the sound of your pick attacking the string. When a soft pick, say .73mm, or say a Fender medium pick strikes the string you literally are hearing the noise of that pick hitting and releasing from the string. A harder, thicker, glassy pick eliminates pick "noise" and gives way to the authentic acoustic sound of the guitar and the strings on it. I learned this about 5 months ago when I made the move to a pick that has a thickness of 2mm. There is a lot of knowledge here on the forum, me excluded. I'm just passing on what I learned from making the change. And that 2mm pick I now use is with me forever. I love it.
__________________
Play it Pretty |
#80
|
|||
|
|||
Dunlop Delrin. 2mm for electric, 1.5mm for acoustic.
__________________
I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#81
|
||||
|
||||
Quote:
thanks, scott |
#82
|
|||
|
|||
Pick
"Thick, as a brick".
(With apologies to Ian Anderson).
__________________
1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#83
|
|||
|
|||
Quote:
Most American machine shops work in both English and Metric measurements but will usually include both metric and English on prints if supplied metric-measurement prints from a customer. I'm able to work in both systems but prefer the English system because that's what I'm most used to using the last 50 years. One system isn't any better than the other and it only causes problems when dimensioning/tolerancing may get misinterpreted or mixed-up on a given project/print by engineers, machinists and toolmakers--Remember the Saturn satellite debacle from several years ago! Ken
__________________
Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 Last edited by SpruceTop; 07-08-2018 at 02:36 PM. |
#84
|
||||
|
||||
Quote:
Sorry, folks, enough of the hijack. To your point, Ken, on my end, when I started looking for jobbers to sub out some of our work, they ALL spoke exclusively English measurements, at least here in L.A. I've found the really old crusty guys don't even wanna hear about it (one guy, one of my main jobbers, kiddingly threatens to throw me out of his shop if I "talk that crap," but the younger ones are more conversant in both), but the younger ones are much more open to it. It helps to remember that .040" is almost precisely 1.0 mm, so pretty easy to convert in your head. I'll be in touch. Thanks! Scott Last edited by Charmed Life Picks; 07-08-2018 at 03:37 PM. |
#85
|
|||
|
|||
In my 50 years of experience, a thicker pick cuts highs. I am probably never going to switch from my Dulop Delrin 2mm for electric. My acoustic choice of the 1.5mm Delrin is my choice after much experimentation. Material also matters. What a boatload of choices we have!
__________________
I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#86
|
|||
|
|||
I use the Dunlop Jazz III Primetone. They are 1.4mm.
__________________
Latulippe OM #17(Sinker Cedar/Indian Rosewood) Latulippe Foxtrot #29 (electric) Lavoie Modern Archtop #142 (White Spruce/Mun Ebony) Benoît Raby Étude classical (2013, Spruce, Indian Rosewood) |
#87
|
|||
|
|||
Quote:
Thickness is only one pick parameter, and its not the most important one by any means. |
#88
|
||||
|
||||
Quote:
sm |
#89
|
||||
|
||||
Yes, mm. The conversion rate of metric to English is almost precisely 1.0 mm = .040". The reason BC uses this number is they come from the machining world, where they never got the memo.
I once took apart an entire VW using nothing almost nothing but a screwdriver and a 13 mm socket. memmer |
#90
|
|||
|
|||
Between 0.9 and 1.25mm is my range. Thinner, and it's too floppy for flatpicking; thicker, and volume and punch begin to suffer.
__________________
"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |