#61
|
|||
|
|||
Yes.
Always have. Why would I want to gig a cheap guitar? |
#62
|
||||
|
||||
Many herein have instrument insurance and I highly recommend it for anyone who has more than a few thousand dollars wrapped up in instruments. The cost is usually between $200-$300 per year. There are many searchable (think a few per year) threads in the archives.
|
#63
|
|||
|
|||
I have no "hanger queens". I gig/play out with everything I own.
|
#64
|
|||
|
|||
Do you guys gig your expensive guitars?
It’s always a little bit funny to me when someone spends say, $2,000 on a guitar but won’t play it and has to spend another $300-$500 on a “beater” because they don’t want to play the nice one. In essence they’ve just paid $2,500 for a beater.
Not that I I don’t understand why; but funny nonetheless. [emoji41]
__________________
2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#65
|
|||
|
|||
Yep. Did I buy it to leave it at home? - I don’t think so. I always regard my guitars as tools, not pieces of art. I try to care for them reasonably, but after 10-20 years, most of them get a couple of battlescars. I doesn’t seem to affect how they sound or perform.
__________________
Mike 2018 Furch D31TSR 2008 Martin OMCRE 1992 Takamine EAN20C 1996 Fender Telecaster w/ Barden Nashville set 1986 Charvel Model 5 2005 Art & Lutherie Ami 1980ish Hohner copy of a 'burst |
#66
|
|||
|
|||
I have a cheap Yamaha for the only gig I am playing right now, at a children's church service
I used to bring an expensive guitar, but I have to leave whatever I bring near the HVAC where it's terribly dry and warm, so I felt a laminate guitar would be best so I didn't need to worry about it. The audience won't know the difference, and if something were to happen to the guitar I wouldn't be worried about it. It doesn't sound half bad, for an all laminate cheapo |
#67
|
|||
|
|||
I just bought a $423 Farida specifically for bringing to performances.
__________________
1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#68
|
|||
|
|||
👍🏼Chris....amen. I've never thought of it exactly like that. Yep.
|
#69
|
|||
|
|||
Yep...you nailed it Chris!
__________________
Jim Dogs Welcome......People Tolerated! |
#70
|
|||
|
|||
Buy a more expensive guitar and leave THAT one at home.
|
#71
|
|||
|
|||
As long as it's not in a horrible neighborhood. Nowadays, I'm too old to be messing around in bad neighborhoods.
|
#72
|
||||
|
||||
100% agree.
|
#73
|
|||
|
|||
When I discovered that my Stonebridge was a bit rarer than I had thought I went out and bought a Fender Paramount 000 that I wouldn't worry as much about.
__________________
Stonebridge DS22SM Fender PM-3 Deluxe 000 '62 Silvertone Archtop |
#74
|
|||
|
|||
For gigs, I always bring my D35. All I will ever need.
|
#75
|
|||
|
|||
Very definitely! My guitars were built with the intention of performing, writing, touring, recording and anything else I wanted to get up to. I would not feel comfortable sacrificing that quality in front of an audience that has paid to hear me at my best.
__________________
www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |