#46
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Very clean build, You do great work.
Cheers, Mike |
#47
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Quote:
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#48
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New Jersey has a lot going for it and there are many opportunities there, but New Hampshire has been a better fit for us. I'm loving my new shop and the area we're in. It's a very beautiful and inspirational environment, art is much more a part of life here. I suppose our little coastline wasn't enough to lure you up here? Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 11-25-2013 at 03:22 PM. |
#49
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Sculpted Headstock
The pillow top sculpted headstock seems to always get a reaction. Sometimes good, sometimes bad but, it is consistently the more popular headstock I offer and comes standard on the Penelope steel string model.
I have been making this basic design and it has been evolving for about eleven years now and I've learned what I feel are some pretty tricky techniques to pull one together. I thought I'd go step by step here. For those of you that don't like this headstock I can only say Look Away. I usually start off book matching the top laminate. In this case it is Indian Rosewood to match the body wood; Here are the rest of the woods making up the top laminate; I cut the basic shape; In order to have a sculpted headstock I need a thick laminate so I have some meat to cut into. Because it is so thick I sink the tuner washers down; I then cut a lip around the outer edge, level with the tuner washers. I'm doing this with what amounts to a pin router using my drill press and a brass referencing pin. I'm cutting with a little round router bit so I get a curved transition for the beginning of my sculpted pillow top; The top laminate is thick so it's best to sink the truss rod cover into it leaving plenty of room for string clearance. Using a wood marquetry technique I cut both the truss rod cover and the laminate it is going into at the same time. I am also cutting it at a 10 degree angle so that the truss rod cover will wedge down into the hole. This is a tough cut, if it goes a little astray you throw everything out and start again; The part of the top laminate that is cut out drops down into the hole also and is glued to become the floor for the truss rod cover; With this method you get a perfect fit; From there it's a matter of bringing it to final shape with sandpaper, lot's of sandpaper; To be continued.. Thanks! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 11-25-2013 at 04:44 PM. |
#50
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Sculpted Headstock Top
Today I pretty much finished up the headstock to be ready to glue on.
I was back at the drill press cutting the edges to prepare and install the binding and purfling; Here is a picture of the binding ready to go on. At this point it is a very delicate piece of black ebony. There will be a maple purfling line as well; This is the top laminate all set to be glued to the neck; That's how I make a sculpted pillow top headstock Thanks for following! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#51
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Headstock
It is not possible to fully appreciate the beauty of these pillow headstocks until you actually see one in person.
That is a whole lot of work Mark, but the end result is unique and defines elegantly your Greta pillow headstock model. daniel |
#52
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I'm in the love it camp.
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#53
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Mark,
very nice build you have going on there. BTW, phenomenal display and photography! I love it....
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_______________________ Peter M. Cornerstone Guitars www.cornerstoneguitar.com Ukuleles... www.cornerstoneukes.com |
#54
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I am enjoying the build and have high expectations for the result Thanks Again, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#55
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I had not seen Mark's guitars until the two build threads going on right now, and I am smitten. <3
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#56
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That is beautiful work. Very nice.
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#57
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And welcome to the forum rogthefrog! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#58
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Readying for the finisher
I'm very please how this guitar is shaping up. I'll set the frets and do final clean-up and it will be ready to have the finish applied;
I look forward to seeing it with the finish on! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#59
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Looks great. That won't hang around the shop in Brighton very long!
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#60
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Me too, its looks incredible.
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Trevor. |