#46
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Martin OM 18 authentic Martin OM 21 special 2018 Martin HD 28 2016 Gibson J45 Vintage |
#47
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Thoughts? It's a fabulous guitar. However, and I can't believe it took 4 pages, the Martin 000-18 is the king/benchmark for all OM guitars........ I believe. Sweet, rich, full, piano-like tone that seems to linger forever. I have own(ed) most brands mentioned and the 000-18 remains (I have two) in the fold as my primary gigging and writing guitar. I own mostly OM/000 variants (some deeper, some slightly different) and the 000-18 has never been surpassed by anything. Matched maybe. Almost equalled.... but never surpassed.
That said, anyone willing to spend up to $4,500 certainly has the resources to do his/her own due-diligence to determine which is best to them. I would start driving and playing guitars until you find what sound you're looking for. If you can't get out, order 2 or 3 and evaluate them during the return period and return the ones that don't make the cut. |
#48
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I've had two SCGC OMs, currently have more than a couple Martin OMs. By far the most bass is in my 2003 Martin OM-42, and it also has the most "shimmer" of all my OMs. First time playing the OM-42 across from my guitar teacher he sarcastically said, "Well it certainly has enough bass". Doesn't make it my absolute favorite though, and the visceral feeling still isn't like the bass in a dread. I prefer a more balanced guitar like my OM-28A 1931.
Wade's suggestion of getting your arm off the top is a good one and you should try that bec your guitar might have plenty of bass for you if the top is free to vibrate. |
#49
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I have a Bob Thompson OM and a Razo OM. Obviously, the BT OM is more traditional sounding and the Razo is more modern. They're both still versatile for flat picking and fingerstyle with good response and adequate volume. |
#50
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Try the 000-18 standard, my guess is your desire for deeper bass will be put aside in light of the round, sweet bloom of mahogany in that size and build. Entirely complementary to the OM-21 rather than any duplication.
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#51
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I was in a similar spot as you are now, in that I owned a Martin OM-21 having determined after a lot of experimentation over a lot of years that a rosewood OM from was the most versatile and comfortable guitar of my search. But I wanted better.
So I migrated from an OM-21 to an OM-28v to an OM-42 and the 42 was the winner. The 42 has what many describe as a "shimmer" a kind of high frequency resonance that some find pleasing and others do not. The bass is great, it is a loud bright guitar suitable for playing with others and of course looks great if you like the pearl. But here is the other thing I learned: The model doesn't mean anything in that you will find a great sonic spread within the models. As an example, the OM-42 I ended up buying came from a field of 8 OM-42's and this one was the best. The others were very nice, but one of them really stood out. So you have to really play the ones you are thinking about and make sure you get the best candidate you can. The second issue is that the necks are all different on these and it took me quite a while to get used to the neck on the OM-42 (I think it is some kind of low profile oval or something). It is the slimmest neck Martin makes. It is so thin that a Shubb Fine Tune capo bottomed out on it and would not work. Having gotten used to it, however, it is a great neck profile, and this has been my go-to guitar now for about 12 years. But you have to play more than one.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#52
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"Opinions appreciated, educated opinions most appreciated."
Ta-Da
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#53
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Furch make outstanding OM guitars in the vintage series. Im a big martin fan but furch particularly in europe offer significantly better quality for less.
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"All I can be is me.....whoever that is" Bob Dylan 1934 Gibson Kalamazoo KG11 www.reverbnation.com/jamesascott |
#54
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IMHO you already have one of the the best OMs available. You can get different but not better. My OM-21 knocked the OM-28v off its perch. Try some different mixed med/light gauge sets on the OM-21 and play the snot out of it hard for a few weeks. Elixr Nano Med/light, and Martin Retro MLJ 13's both sound amazing on my OM-21. I suggest starting with the Nano's. The extra mass on the bass strings really bring out the low end without adding much additional string tension. I use the mixed gauges on all my smaller bodied guitars (0, 00, OM) and they are the secret to bringing them to life.
I've played McKnight, Santa Cruz, Froggy Bottom, Collings, McPherson. There wasn't one that I'd trade for my OM-21. I would like one of those Santa Cruz H13's to join the OM-21 though. That 00 size with deep body is some kind of magic sound. |
#55
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"All I can be is me.....whoever that is" Bob Dylan 1934 Gibson Kalamazoo KG11 www.reverbnation.com/jamesascott |
#56
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Plus one with the Santa Cruz Om/pw.
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#57
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There are almost too many good OM choices out there. Santa Cruz and Bourgeois (and probably Huss and Dalton) would be my high-end choices. On the more affordable side, Larrivee and Eastman are both great playing / sounding guitars. I love my E-40 OM.
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-------- Recording King Bakersfield Taylor 812ce-N Taylor 356ce Taylor 514ce Taylor Baby-M Eastman E40-OM Fender Robert Cray Stratocaster Fender Baja Telecaster Fender MIJ Telecaster Custom G&L ASAT Classic Tribute Bluesboy Semi-Hollow Rickenbacker 620/12 Gretsch 6120 Godin Multiac Nylon Duet Ambience |
#58
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#60
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |