#31
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Comparing apples and oranges here.....if you want an acoustic electric then that is what a Tak is built for ( excellent , easy to tune in sound). If you want an excellent "acoustic" guitar, not so much. I prefer an old Ovation for a plugged in sound ( same deal, plugged in it's great, unplugged, not so much).For stage performers, they are heavier built, tougher finish and more maintenance free than Martin, Taylor (fill in your brand here). Pick your preferred use and buy accordingly.
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1979 Ovation Balladeer 2013 Blue Ring Acoustics 000 12 fret (mango/WRC) 2015 Blue Ring Acoustic Dred (Tamarind/Englemann) |
#32
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Noledog has it right on page 2
With questions like this you get opinions primarily, facts are secondary to the process of finding your sonic preference, but I agree with Noledog. He is a great player and he has shown how a Tak can sing.
I have two Taks and I play my cedar/Koa as much as any of my guitars. I don't amplify, as a rule, either, since I play only for myself. The cedar mellows the Koa perfectly, and I am enchanted by the sound. More than that, it transports me when I play it, to guitar heaven. As a player, I prefer a wider nut, like on my Martin, but the sound is so good on the Koa that these are my two favorites of the instruments that I keep in their cases, so they come out to play all the time. Fit and finish of the Koa are dazzling. Perfect. I think it was 1700 new and worth every penny. It would have been 1000 more as a Taylor. And it would not have sounded better. In fact I have compared it to a solid Koa Taylor and preferred my Tak acoustically. Warmer, richer. Again, opinions, so maybe it's just me and my tin ear, but this guitar soothes me with its sound. I will say that the cheaper Taks do not move me at all. I don't mean to sound like a snob. I simply much prefer the Mexican Martins or the 100 Taylors to any of the bargain Taks I have played, though these may be a couple of hundred more expensive. Still, a Big Baby is in my opinion better than a cheap Tak acoustically. My two cents.
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Husband of Doxy, Martin D-35 50th Anniversary Limited Edition Taylor 814 Taylor DN5--Engelman top, tropical mahogany Taylor 412ce—LTD maple Giannini Classical 1960s vintage Taylor GS Mini |
#33
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#34
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Okay now I regret selling my P4DC. It did have a sweet sound unplugged just not very loud, plugged in it was amazing.
Thanks noledog for your review.
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Some Martins |
#35
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#36
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Was suggested that you take a look at you is using them. Here is just a few off the top, Garth Brooks, Bruce Springsteen, Blake Shelton, Kenny Chesney, Glen Frey, Jon Bon Jovi.
Last December I bought my Takamine GJ72CE 12 string. Didn't have price range in mind. Looked at Martin, Taylor, Alvarez, Breedlove just to name a few but the decision was for the Tak. This past March I was in the market for a 6 string. I was ready to spend $1000+. Looked at the same brands listed above. Once again it was a Takamine. This time the GD93. I have 2 acoustic electrics. One of which is the 12 string. I have only plugged it in once and it was phenomenal.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#37
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I asked for and received a Takamine P3DC for Christmas.
I don’t particularly care for Martin guitars. They generally do not suit my style of play. But I’ve played tons of them, and Taylors too. My P3DC is every bit as well constructed as a 5-series Taylor. Interestingly enough, it sounds amazing, but for “warmth” my Yairi is the better sounding guitar. They are virtual equals plugged in. Unlike some, I prefer barn door preamps. I like the adjustability over the Expression system. I can plug and play, but I have some fine tuning adjustability. I also have a “cheap” G-series. A big Jumbo 12-string. It was easy on the wallet, but it holds its own plugged in and unplugged with most guitars up to about three times what I paid. I do wish the neck was satin finished. But it is a very good instrument. It seems “fashionable” to bash on affordable guitars. Even though the bar for “affordable” has gotten quite high. You will spend a lot more than I did on my P3DC to equal its quality. More still to beat it. I love quality guitars. I just don’t love spending big money to get quality. Remember some very good players that could play anything they want choose to play Takamine.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#38
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I think of Tak's a great stage guitars with good fit and finish. Unplugged they are not usually the best sounding guitar in the room. They are a little bit 'overbuilt' compared to higher end Martins and Taylors, which (IMHO) is why they work so well on stage. If you really want a guitar for great amplified sound with limited feedback you actually don't want a lightly built / highly resonant guitar.
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| 1968 Martin D-28 | 1949 Gibson J-45 | 1955 Gibson LG-2 | Santa Cruz 000 Cocobolo / Italian Spruce | Martin D-18 1939 Authentic Aged | Martin Gruhn Guitars Custom D-21 Adi/Madi | Gibson J-45 | Fender American Elite Telecaster | Fender American Standard Stratocaster | Gibson Les Paul Standard | Gibson Les Paul Studio | PRS Custom 24 10-Top | Gibson Les Paul 1960 Reissue (R0) | |
#39
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like all other brands - their are various levels of performance and sound -
if you buy a cheaper low end model - lower level of build quality , plywood etc. you will get a low level beginner guitar. On the other hand ( know this about the brand ) some of their top tier stuff is nice - ( but their not my cup of tea )
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--------------------------------- Wood things with Strings ! |
#40
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The Japan made Takamines rank up there with Japan built Yamahas and other brands, or with U.S. and European built guitars. Their China built guitars are comparable to other China built guitars. As always, you get what you pay for (mostly). If I was in the market for a 2K guitar I would seriously consider them.
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#41
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* See my post #27... still as relevant today years later after this thread began. I've owned a few more Pro Taks since and remain standing by their outstanding quality, consistency, workmanship and tone; both unplugged & amplified.
** My current P3NC is so lovely and lively unplugged and is a beast amplified. It is my co-sentinel to my beloved KC70 which is my all-time fav. The NEX body is a perfect blend of OM and Dread. Great thump, presence, balance and sustain. Warm, articulate, responsive and never brash. *** My third guitar is a D18 that is everything I want in a Martin dread. tho apples and oranges tonally to my Taks, I can say again as I did in my original post, that the quality workmanship in the many MIJ Tak's I've owned have edged out that of the two standard Martins I've own/owned (my D18 & 000-18 Retro) in terms of binding, clean work inside, neck angle, etc... This is my hands on years of experience with both these brands that I prefer. I love the D18 and played many and they are very consistent in tone but lack a bit on the workmanship... I've re-glued my binding in a few areas. Unplugged sustain and warmth goes to Tak, volume and ring to my Martin, and tone is lovely on both in their own unique way. **** MIJ Tak's rank easily with the big three in every aspect, however, they each excel in certain models over the other according to one's preference and style. For example; I prefer Tak's satin finished Cedar over Sapele OM vs the Martin 000-18 I had; yet I prefer a Martin D28 over Tak's P7 spruce/eir offering. I'm not big on Taylor's signature tone, however, I like what Taylor does in their all-hog models as well as their older 514 and GS body. But prefer the Tak Palathetic system over Taylor's ES2 any day... jus' my 2 cents plus another nickel LOL! eric
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 Last edited by noledog; 06-10-2019 at 03:45 PM. |
#42
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One of the best Taks that I have play was the first run of the Steve Warner Signature model.
https://reverb.com/item/469260-takam...-model-sw341sc
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Proud member of OFC |
#43
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Just purchased one today. Takamine GN90CE-ZC. Absolutely beautiful and plays like butter. Love it. Scroll down to see pics.
https://jimtall32.wixsite.com/islandbrothers/news |
#44
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I’m still loving my new GB7C. It definitely disproves the forum myth that Taks are only good plugged in.
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Taylor- DN8, GS Mini, XXX- KE Gibson - Gospel Reissue Takamine- GB7C |
#45
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This thing sounds brilliant either way. It plays like an electric. I gave up on acoustics because I never had one as smooth as this. they always hurt my fingers. This one is different. A million miles different.
Regards Kaborex |