#16
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I have more amps and guitars, but these are all Fender.
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#17
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Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#18
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The tolex stays, consider it done
Great amps in this tread! |
#19
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My British style amp. It's an Avatar 18W, despite the badging the previous owner installed. Right channel is the stock Marshall 1974x channel, just volume and gain. Left is a modern channel with gain, master, treble/mid/bass controls. Very flexible amp, though I prefer to use the simple channel turned way up. My Mojotone Blackface Super Reverb I built a couple of years ago. I've installed all NOS preamp tubes, GE and Philips. Big, round, loud cleans for days and lush reverb when wanted. She's plenty loud, too. My first kit build, a Mojotone Tweed Deluxe. I was just about to replace the power tubes in this pic. This one gets the majority of play time, and sounds amazing with Teles, Firebirds, and about any other guitar I've plugged into it. This amp taught me to finally break out of running the guitar controls on 10 all the time, and made me a better player for it. Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#20
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#21
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My first kit build, a Mojotone Tweed Deluxe. I was just about to replace the power tubes in this pic. This one gets the majority of play time, and sounds amazing with Teles, Firebirds, and about any other guitar I've plugged into it. This amp taught me to finally break out of running the guitar controls on 10 all the time, and made me a better player for it. Sent from my SM-G920V using Tapatalk[/QUOTE] clint: you always give great responses and this is one of the wisest! thanks, play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#22
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Clint that tweed amp is a beauty...
Did you wrap it up in that tweed too as part of the amp build? It looks perfect. Looks being one thing, I'm sure it sounds great. You know it's such a great topic... I have always been a volume on ten kind of guy till I stopped playing with my band for about two years and went into hiding and learned that there is a whole other world of control when you actually use the volume knob on the guitar. In fact I almost never even play on ten anymore and leave that extra room when I sense I am not cutting through the mix in a live setting. |
#23
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Here are my two...
On top is my '72 Deluxe Reverb (still has the 70's tubes in it!)... such a great sounding amp and good for pretty much everything, although I'd use the lower one for most jazz stuff; a 1980 Yamaha GL100-112 that I bought new. The thing is a workhorse, never had an issue with it, wonderful clean sounds and a decent reverb (although nothing like the Deluxe Reverb). They are both too heavy for me to schlep around anymore, but I haven't worked in band in a long while, so they just stay home...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#24
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Quote:
Sent from my SM-G920V using Tapatalk
__________________
"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#25
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Here are my amps:
Tube Amps: '65 Fender Blonde Twin Reverb (Conversion) '66 Fender Pro Reverb '66 Fender Princeton Reverb '73 Fender SF Deluxe Reverb '73 Fender Vibro Champ '75 Fender Champ '76 Fender Vibrolux Reverb '83 Boogie MKIIC 60/100,EQ,Reverb Head '84 Boogie MKIIC+ 60 watt combo '84 Boogie MKIIC+ Simul-Class loaded Bubinga/Wicker combo '07 Sewell Texaverb 25 load w/ G12H30 '08 Brown Note D'Lite 44 "ODE" Head '10 Hermida 1x12 openback G12H-30 loaded '11 Egnater Tweaker 15 Head Solid State Amps: '85 Gallien - Krueger ML 250 '86 Gallien - Krueger Ml 250 '88 Gallien - Krueger Backline 100
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'49 Martin A Style Mandolin '76 S.L. Mossman Great Plains '78 Gibson Gospel '81 Martin 7-28 7/8 D-28 '03 Taylor Jumbo Custom '04 Ramirez 1-E Classical '09 Breedlove Roots OM/SR acoustic/electric ‘15 Martin Centennial DC - 28E |
#26
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Hi Jeff, I've got the head version of that, the 210H. I find it almost does too much and I'm more of a set it and forget it guy now. But you're right, so many options. The foot pedal is great.
Quote:
What Marshall is that? |
#27
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I "just" have a Carr Rambler (can't find a photo at the moment). Killer amp and lighter than most equivalent Fenders. Does great with dang near anything. I've thought about getting a Soldano a few times for "classic" metal, but the Carr does well when I crank the distortion.
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#28
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Cornford Harlequin
Cornford by sage972003, on Flickr More info here http://www.cornfordamps.com/harlequin.htm I also have a Zinky Blue Velvet but don't have pics.
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"Dreams are the answers to questions that we haven't figured out how to ask." - Mulder |
#29
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What's the guitar? It looks like a 335 with 345 inlays. And typically, a 345 has a varitone dial. I do see extra switches and the non-Gibson Vibrato/bridge but I'm just curious as to what the actual model is. I have a '67 ES335 stoptail conversion with Grovers and it has the same knobs as your...
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=================================== '07 Gibson J-45 '68 Reissue (Fuller's) '18 Martin 00-18 '18 Martin GP-28E '65 Epiphone Zenith archtop |
#30
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I must still have a bit of an amp fetish as I am loving this thread. I used to have a bit of a jones for booteek and Fender BF amps as depicted below.
I am now divested of most and the keeper was: Which is still overkill wattage but it has a great attenuator and covers all the tonal palettes I want. |