#16
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Just my 2 cents. If it were mine and I'd not spend the money on the repair. Cosmetics considered, this isn't bad to me because it adds character. I would only fix something that effected playability or long term maintenance.
I feel like the marks have minimal market effect due to the scarcity of these guitars. If you have it fixed the value will only minutely be improved. If I were considering purchase, the character would not be a strike against it.
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Martin 000-28EC, Taylor 12fret Cedar/Mahogany, Taylor GC8, Carvin AC275, Takamine TC135SC, Yamaha APX5na |
#17
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You guys are right - I came to my sense. I put the money towards getting a FWI second saddle from Bob Colosi. Much better use of the money!
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2009 Kala KA-B Baritone Ukulele |
#18
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Much better than fixing marks.
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Martin 000-28EC, Taylor 12fret Cedar/Mahogany, Taylor GC8, Carvin AC275, Takamine TC135SC, Yamaha APX5na |
#19
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By the way, his 'seconds' are perfectly functional, they just don't look as clean (I think due to the bleaching). I think most people don't even notice the difference, really.
Saved 30% by going with a FWI 'second'!
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2009 Kala KA-B Baritone Ukulele |
#20
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Quote:
The whole of the inside of the guitar is unsealed. |
#21
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i have had several guitars with marks like that, nothing to worry about. every time you mess with a guitar (specially in terms of refinishing, sanding etc.) you might try to fix a cosmetic issue and end up changing the sound of the guitar.. so my views on the matter have always been to leave the instrument as it is. it adds charachter and history after all.
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#22
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I wouldn't really bother about such a cosmetic thing. It just means you don't have to worry as much yourself about inflicting simmilar dammage (best avoid that though).
You'll feel much worse when you get your first real dent on your 4000$ new guitar. At some point in time you might want a new guitar yourself and sell this one, that's when you really have to start worrying and then the question becomes, was it worth the extra spending? It's all just superficial dammage, I have it too on one of mine, but I'm still hanging on to it the way it is and it's the guitar I can take with me no matter where I go. The undammaged ones stay at home! Ludwig |
#23
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Quote:
Tough love: put on your big boy pants and accept it (and enjoy it) for what it is! Tom C.
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Guild Mark VI, Hoboken 1968 Guild Mark V, Hoboken 1966 Guild Mark IV, Hoboken 1970 Herk Favilla Mahogany Classical, 1960's Alvarez Yairi CYM 95, 2004 Dauphin DS65CE, 1992 |
#24
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it's an interesting question, but i'd tend to agree with the let it be folks. makes it look like it has more history to me.
maybe you can turn it into a good story in case someone asks. (then add some chords, and you have a ballad - viola!) . |
#25
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