#31
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Yep, I'd agree. But that second video has had nearly 3 million views and nearly a 1000 comments. And I bet if you went through the comments you'd be hard pressed to find one saying "Geee, I wish he'd used his old Gibson". Which sort of puts our (and I include myself) cork sniffing obsession with vintage tone into its true perspective!!!
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#32
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Yeah...I have to agree but what percentage of those who commented are JT fans and not JT fans and guitar players (who he has influenced)? I like your "cork sniffing obsession with vintage tone" remark. Pretty much nails it!
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Jim Dogs Welcome......People Tolerated! |
#33
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I have never chased "vintage tone." Back in the day I could not afford anything shiny and new so ended up buying what were then just used guitars. Did not really matter because I did not know a good guitar from a can of tuna. Fast forward to around 1970 when I finally reached a point I could afford something new it was not exactly what I would all a golden age for Martins and particularly Gibsons. So I stuck with what I had.
Over the decades though I found old Gibsons were a good match for me. If I had to describe Old School Gibson tone it would be raw which I define as a fast decay and leaner when it comes to overtones/harmonics. They give you one big note and then quickly get out of the way. Not a good or a bad thing when compared to Bozeman-made guitars. Just different. But Ren Ferguson had his own ideas as to what sounded best as did Lloyd Loar, Larry Allers and other chief engineers from Gibson's past.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#34
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scott |
#35
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I have a Furch dreadnaught that’s a little older than your OM. At the time I played quite a few guitars before making the purchase. I have a couple of Martins, a mid 90s era Guild and an older Takamine at home for comparison. The Vintage Furchs are definitely a little more old school sounding than their current colour lineup.
I’d say Furch as a builder falls in the spectrum sounding like Collings or Bourgeois. They don’t quite have the Martin or good Gibson thump, but they also tend to be a little prettier sounding, and they are very responsive. I’ve only played a very few Taylors that have ever appealed to my ears, but as soon as I started to play the Furch lineup they sounded like home. Both the Vintage and Colour Furch lines look and sound closer to a Martin than a Taylor, the Vintage to my ears is just a little moreso. I’ve had my Furch D31TSR for almost three years; it’s a keeper, it’s not going anywhere. It would be like a Vintage 1 rosewood dread from their current lineup with a torrified spruce top.
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Mike 2018 Furch D31TSR 2008 Martin OMCRE 1992 Takamine EAN20C 1996 Fender Telecaster w/ Barden Nashville set 1986 Charvel Model 5 2005 Art & Lutherie Ami 1980ish Hohner copy of a 'burst |
#36
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