#16
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Quote:
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#17
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Quote:
When I had my anthem sl installed, I took it to a luthier (a very good one) and he switched from the original tusq saddle to bone and also lowered the action as it was a bit high. When I got home I hated the unplugged tone. Two things were making the difference. One, the lower action and two, the bone was bringing out too much high end in my guitar. I totally agree that a ust will impact tone but I think it’s so small that no one would ever notice. The change comes from the action not being matched perfectly. I also feel as though the harder matrix ust doesn’t really change the tone at all. It acts like a shim. |
#18
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If you have a K&K installed, no effect on unplugged acoustic tone.
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#19
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lol. I have 100 new guitar photos to shoot, edit and upload. Maybe tomorrow
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#20
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Maybe. I hate when my action is too low. I don’t want to fight the guitar, but I like to be able to dig in and not have anything buzz. I think my guitars sound better set up like that even when played softly. Maybe it’s the break angle.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#21
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There it is.
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#22
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We've discussed this before, but my previous conclusion was that there was some dampening or change in tone from the UST on the low end. That said, I always felt the electronics that were adhered the the guitar top were much more influential in dampening the sound. Good test!
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#23
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I could hear a difference between the two sample sections, but I attribute it to differences in how the guitar was played. It doesn't take much variation in attack to make the tone seem brighter or duller.
Another variable is that resting your arm over the top as you play certainly damps some of the top plate bass response. I use John Pearse armrests on all my guitars to eliminate that, though for amplified playing it is not necessary helpful as it increases feedback susceptibility. I think it is really hard, though not impossible, to design a test for this premise of how an UST may or may not affect unamplified tone. There are a lot of variables that are hard to control. And let us not forget how fickle the ears are.
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#24
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There are a few that fit that criteria, and in my opinion, sound even better.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |