#1
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K&K Pure Mini (passive)
How much did you pay for it?
I see them all over and I'm wondering how low is too low to request. I'm also wondering how I will like it, considering that I have always thought of the Fishman Rare Earth as the be-all-end-all. But I can just do a topic search, I suppose I find stuff. This would be going into my 1946 00-17. |
#2
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There is a lot of love for the Pure Mini here - I have it in two of my three acoustics and I love it. It rewards partnering with the right impedance to get the best out of it but it sounds very natural and is easy to work with. I partner mine with a Tonebone Pz-pre and, recently, a TC Body-Rez.
Dunno about prices where you are but here in Sweden it’s around the equivalent of $120-150.
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Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
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#3
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I've had 6 of them, and I think they were $95-100 each. I probably got some nicely discounted, and all but one was purchased online.
Compared to the Rare Earth (a nice magnetic pickup), the K+K has MUCH more presence. That is not always a desirable thing when playing live, but it sure can be engaging to play. An SBT (soundboard transducer) like K+K also picks up body vibrations, which can be good or bad depending on what you like to hear (I personally love it). I happen to like the advantages of an SBT for live work over any other alternative, with the exception of a condenser microphone mixed by a very capable sound person. I'm now slowly replacing my K+K pickups with Dazzo and Schatten, as I find they have better clarity and less midrange buildup. But I am a tone freak. By the way, an SBT and magnetic pickup can complement each other nicely. I may start experimenting with that myself.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#4
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I would not glue a K&K into a 1946 Martin. I love K&K, but I might suggest you consider a less permanent solution if this is a collector grade guitar.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#5
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I paid about $110 for one and put it in my Taylor 412. I am not looking to change it. I am satisfied. I've heard lots of recorded stuff on the internet people made of my acoustic duo.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#6
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Dazzo is superior to K&K.
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#7
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And UltraTonic may be superior to Dazzo - Its just the Martin/Taylor/Gibson argument with different names. But with pickups, alot also has to do with what comes after the pickup -
I have bought unused but not new K&Ks for $90, new for about $120. What may be the most important part of any "permanent" pickup mounting is the experience and skill of the person doing it. Its a pretty major PITA to try and re-do one -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#8
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if you plan on playing at club volumes than stick with the rare earth.
after fighting so long with many sbt pups ive gone back to mags. i honestly think they start to wig out a bit when there is too much volume ..just the nature of piezo. if you attend open mics dont expect to get a nice plug and play out of a mini. not without dragging alot of outboard gear around with you. |
#9
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Quote:
Contact Shoreline and use your AGF member discount, it doesn't get any cheaper. |
#10
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All this advice is good. I have K&K's in four guitars, and I play them through a Tonedexter with good success. But I don't play with a band and I rarely have to crank the volume into a range where feedback is an issue. I think a lot of this is variable depending on venue, style, and the particular guitar.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#11
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K&Ks typically sell online in the States for about $100. I paid $225 for mine, installed in my HD-28V. If it was a less-expensive guitar I would have done it myself.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#12
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K&K go for about $99 online in the US.
Last time I bought one it was $75, and install was $35 or so, but that was a few years ago. I dodn't want to get superglue anywhere near my finish, so I figured it was worth it to pay someone. They have their good and bad points. Good = no batteries, and generally a pretty good acoustic tone. Bad = plug-n-play is really hit or miss. If you have a short run to the board you are generally ok. I've had enough bad experiences that I bring along my own DI box now.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#13
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Of course, IMO, the best solution available right now is the ToneDexter, but that's $400 versus the ADI21 at less than $30. A good preamp is in the middle at about $150.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#14
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Quote:
https://www.acousticguitarforum.com/...d.php?t=547989 Headline - don't rush to buy a Tonedexter without properly assessing your needs. P.S. I have one of those Behringer boxes, it's great to have in the emergency box but I wouldn't want to rely on it. Well worth the money apart from the Behr-nxiety (new word - you heard it here first, about 20yrs too late).
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |