#16
|
|||
|
|||
I don't think so. My larger Focusrite interfaces (AC power) often need to be at 3 O'clock or so too.
__________________
----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#17
|
|||
|
|||
I have the 2i2 (3rd gen) and love it. For whatever reason, I'm not having the gain issues that Chipotle and TBMan report. I've been recording my guitar using two AT2035 LDC mics in an x-y array (positioned a foot from the neck / body joint) with the Focusrite pres set at 10 o'clock and get a perfectly usable level going into Logic Pro. That's playing fingerstyle with a Huss & Dalton OM-C. The "Air" setting on the preamps do a good job of adding clarity to the 2035s, which can be overly warm otherwise. If a meteorite came crashing through our window and took out the 2i2, I'd get another one in a hamster's heartbeat.
|
#18
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#19
|
||||
|
||||
I've got the baby version - the Scarlett Solo.
It's my first ever USB interface, and I'm delighted with it. Installation and setup was almost trivially easy - I'm running an AT2021 into the mic input, and the output from a beloved Yamaha DG-Stomp modeler into the guitar input. Acoustic and electric guitar covered, easily. I'd gladly consider Focusrite in the future should I ever feel the need to upgrade - right now, this setup is way more capable than me
__________________
Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#21
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#22
|
|||
|
|||
My Scarlett 3rd Gen - I have an AKG P220 and an MXL multi-pattern (on cardiod pattern) hooked up at the same time. The AKG needs slightly less gain, but with both at 12 o'clock, 18-24" away, the indicator lights will just go into the yellow/orange on my hardest strumming.
Usually when people say they have to turn the gain way up, its because they are trying to track too loud. Anywhere in the -20 to -12 dBFS range is fine.
__________________
Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#23
|
||||
|
||||
I have the 2i2 3g... used it a few times with two mics: an AudioTechnica condensor to pick up guitar, and a separate vocal mic (SM58).
It did a decent job. Here is an example. I still have it, and have only used it a half dozen times. I ended up using my Apogee MiC more.... just simpler to attach to a phone, get video and audio, and then adda a track or two in garageband afterwards. So I am not using mine... but not because its bad; rather because I got lazy. It sits getting dust along with the condenser I bought to use with it. |