#46
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I had planned to splurge this year on a new D18 or D28 but will wait until I can try one of the new Taylor dreads. If I buy new, the deciding factor will probably be the availability of warranty and service in Europe.
Unlike Martin, Taylor has a servire shop here and their warranty coverage is global. For an expensive new guitar, that may be a difference and enough to present Taylor with an advantage |
#47
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You know what I love about the guitar in the Sean Watkins clip?
No cutaway. No ES knobs. I took my daughter to Guitar Center today. We have a really good one — probably the best I’ve ever visited. They have a lot of really nice Taylors, and every single one seems to be a CE model. I’ll rarely even take a CE model off the wall, let alone consider buying one. I know that makes me a minority for Taylor’s target customer, but I know I’m not the only one, especially if they’re serious about going after more than just the plug and play cutaway crowd. I liked how Taylor launched the GS shape with just acoustic, non-cutaway models back in the day and I’d love to see them do something similar here. It would show a lot of confidence in the tone and performance of the new model, particularly considering who they’re trying to sell to and the guitars they’re competing against — and at Taylor’s price points these days, it’s not just Martin and Gibson. I’d also like to see more accessible models of this guitar sooner than later — I think a 300 series Grand Pacific guitar could be a huge seller for them. |
#48
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__________________
Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#49
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Me too.....
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#50
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Ill concur with a lot of great observations here.
This guitar will not convert martin stalwarts. It does look like not quite an l and not quite a slope. Sort of hybrid. clever. I am a huge fan of lutz spruce since i played a 712ce 12 fret. I played a dred at my lgs (not this one) and it had that typical taylor sound. I didnt like it and put it back on the wall. I have a custom shop taylor dread that was built in 2012. Adi over madi. No cutaway. no es. This guitar is stellar and is a bluegrass monster. low end is clear and deep. not your typical taylor sound., So i think this new guitar may be a winner for folks that want that sound. Martin traditionalist players wont buy these. Its just not done. . But folks that are looking for a more trad dred sound might. |
#51
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The sound clip Taylor released still sounds exactly like the recent Taylors to me. Probably just a bit deeper and fuller due to the body shape.
The sound is loud, the string separation is extreme, and the attack is very "hard". (Martin string attack is soft, and the string separation is minimal leading to a "blended" sound when strumming). So to me it's still the opposite of a Martin... It does share some qualities with the Gibson sound though. |
#52
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To the handful of folks who have played it, what is the nut width and scale? Thanks.
Rob |
#53
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Both Taylor and Martin are in the business of selling guitars. First and foremost. So, they must mix it up now and then not only to capture first-time younger buyers but to keep selling guitars to those of us, not so young and first time buyers.
Re-imagined? If you know Martin's history the current guitars are mostly about building them the way they were built many years ago. Martin has 100 plus years of changes that can be mixed and matched to create "new" guitars. Yes, there are new woods and other materials but it is still all about how they have always done it. 20 years ago the cool thing Martin was promoting on their standard series were the new neck profiles, not wide and V shaped. Now, it's wider nut widths, etc. Taylor changed up bracing, like it or not. I think this new guitar moves... Just a tiny bit, toward a Martin-ish sound. I think some of the Martins may move a bit toward the Taylor sound. It's in the subtlety. It's who sells the most in the end. Here's a wild thought. What if one or the other or both of them decided to build guitars that truly offered shades of gray in both directions, sound-wise. Both companies are certainly capable of that. What if it came down to how guitars are built quality wise and customer service wise and not a "sound?" No, it is not legal in my state, lol. |
#54
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I have three good Taylor dealers within an hour of me...I'll have to try this new guitar when it gets here.
__________________
Phil Playing guitar badly since 1964. Some Taylor guitars. Three Kala ukuleles (one on tour with the Box Tops). A 1937 A-style mandolin. |
#55
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Quote:
And the only thing more humorous are the "+1" that follow. Great stuff, guys. I know who to count on for some good laughs! So predictable, yet just as funny every time I hear it!! Edward |
#56
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Quote:
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#57
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Thank you. Reading this thread gave me GAS. Now it's gone. Phew.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#58
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Even though I don’t currently own a Taylor and have not for a few years, I have tremendous respect for their innovation, environmental approach, build quality and marketing strategies.
Guitars are designed to make music but, if they need marketing and innovation to drive sales. I think this is a smart move on Taylor’s part and from the sound clip, I think it sounds darn good. Looking forward to giving one a test drive.
__________________
Hope. Love. Music. Collings|Bourgeois |
#59
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I see on the acousticletter's Instagram clip feed there's a little teaser of the new Taylor dred hanging on the wall behind Paul from Musicvilla.
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Martin D-41 Eastman E10-OM SB |
#60
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That body shape looks like a Larrivee L Body
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